感于米开朗基罗的人生（集锦7篇）由网友“qmlin520”投稿提供，下面小编给大家整理后的感于米开朗基罗的人生，欢迎阅读!
篇1：感于米开朗基罗的人生
感于米开朗基罗的人生
神圣的痛苦生涯――感于米开朗基罗的人生胡梦佳
“有英雄的才能，却没有英雄的意志；有强烈的激情，却没有这样的愿望，真是哈姆雷特式的悲剧！”这便是《名人传》的作者罗曼・罗兰对米开朗基罗――这位享誉世界的雕塑大家，这位带有浓烈悲剧色彩的英雄最确切的评价。
文艺复兴时期，在遥远的佛罗伦萨，米开朗基罗头顶天才的光环，就如文艺复兴长河ff i.--颗璀璨的明珠，照耀千。占。他是个传奇，是个天才，是个英雄，是个幻想家，是个创造者。他经历过一个时代，便造就了一个时代；他穿行过一个城市，便重塑了一个城市。《大卫》《创世纪》《胜利者》，这些艺术作品已不可单单被认为是艺术作品，它们是创造的奇迹。而能够驾驭这种种奇迹的，唯有伟大的米开朗基罗。
上天总是嫉妒英才的，他可以给予你天才的创造力，也会给予你无情的毁灭；他赐予你无限的光辉，也赐予你无尽的磨难。而米开朗基罗正是受了上天捉弄的人，于是他带着天才般的才华度过了他整个的神圣的痛苦牛涯，他的痛苦是他的弱点的产物。他愤恨教皇，却因怯懦而穷其一生奴役一一般无休止地为教皇工作；他深爱值得爱的人，却不曾被人爱。那些人无法承受他非比寻常的太过炽热的爱，而他与生俱来的.病态的敏感多疑却总是伤害那些他视为平庸之辈的可怜的人们。他超凡的才能使他凌驾甚至超越了他的时代，却也因此只能被人钦佩却无法被人理解。他太卓越，他的所作所为与周围的那些“平庸”的人们格格不入，于是他瞧不起他们，此时他显得那样冷漠无情。他富有，却要赡养大家庭的每一位成员，因此过着苦行僧似的生活。他对他的家是那样热爱，但那些令他失望的家人却常常使他的精神处于崩溃的边缘。他热爱艺术，但超负荷的工作却使他一次次累倒。在被教皇逼迫工作的口子里，他的心血无数次被捣毁，他从未有机会创造出一件他自己真正喜欢的作品。他的一生太过痛苦，所以他热切盼望死亡的到来。
但他是米开朗基罗，他的作品即使他不喜欢却依旧流芳百世。他的一生因经历了太多苦难而愈发神圣，他的弱点依旧挡不住他英雄的光辉，湮灭不了他带给世界的福音。英雄也是人，怎么会没有弱点？他的弱点使他的形象显得更真实，更丰满。因此百年之后的今天，他的传奇依旧为人们传唱歌颂，他的灵魂依旧在他那些不朽的作品巾永生。
英雄之所以成为英雄，在于他的成就，更在于他用坚强的意志和不懈的奋斗勇敢承担苦难的磨炼。可以说，苦难造就了米开朗基罗。而作为凡夫俗子的我们，不求英雄，只求英勇；不求成就，只求成功。英勇地承担磨难，在磨难的洗礼中脱胎换骨，即使失败于追求成就的途中，也成功于战胜磨难的气概。那时的我们，即使成不了英雄，也拥有了英雄的气度。
苦难可以造就英雄，但造就不了完人。这世界上从来不会存在毫无弱点的人，就如永远都不会有毫无瑕疵的玉石。即便是天才与伟人，也绝不是完美的人。贝多芬有弱点，却创造出辉煌的音乐奉献给全世界；米开朗基罗有弱点，其作品的光辉至今闪耀；托尔斯泰有弱点，却有甘愿为天下黎民献身的热肠。弱点，并不能遮掩伟人的光辉。正视弱点，追求完美，这才是人生的意义。
在生命的漫漫征程上，我们追寻着伟人的足迹，于追寻中领悟了人生的真谛，那便是：生命不息，奋斗不止！
篇2：《米开朗基罗》读后感
意大利有两个历史的'骄傲：一个是古罗马的鼎盛，历经数千年的辉煌历史，是很长一段时间内世界上幅员辽阔的最强帝国；一个是文艺复兴的辉煌，它直接启发并推动了全球现代文明的兴起。
在古罗马那个时代，开放包容，质朴刚毅，折射出背后文明的迷人魅力。
文艺复兴那个时代，百花齐放，英才辈出，焕发了人文主义重生的光辉。
说到文艺复兴，就不得不说“文艺复兴三杰”――达芬奇、米开朗基罗、拉斐尔。
漫步在罗马或佛罗伦萨的街头，常常会不经意就与三杰的作品撞个满怀。
石头哥曾在卢浮宫《蒙娜丽莎》的画像前驻足良久，从那神秘的微笑中，一窥达芬奇无与伦比的才华。
也曾在普拉多博物馆一瞥令人惊艳的《红衣主教》，从画中主人公那优雅自然的眼神中，感受拉斐尔笔下的古典主义之美。还有幸站在罗马万神殿的透光穹顶下，注视着圆顶中央的光洒在拉斐尔的墓前，聆听后世人们对神祗低沉的祷告。
还曾在圣彼得大教堂和佛罗伦萨大教堂两座同名为《哀悼基督》的雕塑，从圣母凝望怀中死去基督的宁静神态中，领悟米开朗基罗那鬼斧神工的刀下所刻画的生死并非两隔的悲悯，以及崇高而圣洁的庄严。
篇3：《米开朗基罗》读后感
米开朗基罗是意大利著名的绘画家、雕塑家、建筑师和诗人。
他一生追求艺术的完美，坚持自己的艺术思路，在26岁的时候就创作出了举世闻名的杰作――《大卫》。15，米开朗基罗应教皇朱利奥二世的要求，为梵蒂冈西斯廷教堂绘制穹顶画《创世纪》。他在创作壁画的时候，踩着梯子，仰着头，嘴里还叼着画笔，长时间的工作，使他的精神和身体受到了伤害，但是它依然没有停止创作。连他自己也说：“我不停的工作，直到精疲力尽，没有人能像我这样工作过，我除了没日没夜的工作外，什么也不想了。”看来，天才在于积累，聪明在于勤奋。
米开朗基罗是个天才的艺术家，可是，他很不注重卫生，他睡觉的时候直接和衣而卧，有一次，他长时间的工作，腿肿了，靴子脱不下来了，他不得不把靴子割开，再脱靴子的时候把腿皮给撕了下来。我认为这是他唯一的一个缺点。
我也要向米开朗基罗一样学习，勤奋努力，坚持自己的主见，我长大了，要学好我自己的专业，做一位国家的栋梁。
篇4： 米开朗基罗读后感
米开朗基罗，一个出生在贵族家庭，从小就受着良好的家庭教育和艺术教育的他，却经历着精神上的失败和挫折。
他无妻无儿，母亲也在他六岁的身后逝去，他的家人却只会从他的'身上索取钱财。凝聚着自己心血的作品也毁于战乱，他为了得到自由，不得不依附他并不愿意依附的教皇。花了15个月的时间完成了铜像，可是铜像也未能逃脱战争的损坏。
终于，经过他的不懈努力，在他的手中产生了完美的作品：摩西像和两座奴隶像。可是灾难又一次降临了，他的合约一次又一次的被取消了，而他的敌人却取得了辉煌的成就，154月6日，他的敌人离开了人世。米开朗基罗是一位艺术的巨人，他有英雄般的艺术思想，艺术的幻想不断破灭，使米开朗基罗感到很疲惫，很疲惫……
读完这个故事告诉我们：只要有梦想，就要勇敢地去追，战胜困难，不怕挫折，一定要相信自己，克服重重困难，向我们的梦想前进吧！
篇5：米开朗基罗简介英文
米开朗基罗简介
Michelangelo Buonarroti (March 6, 1475 - February 18, 1864), also translated “Michelangelo”, the Italian Renaissance great painter, sculptor, building Division and poet, Renaissance sculpture art of the highest peak of the representatives, with Raphael and Da Vinci and known as the Renaissance of Sanjie.
His father was Lodovico di Leonardo Buonarroti di Simoni whose mother's name was Francesca di Neri Deli Francesca di Neri del Miniato di Siena.
His life to pursue the perfect art, adhere to their artistic ideas. He died in Rome in 1564, and his style influenced artists for almost three centuries.
The asteroid 3001 is named after his name to express his respect for his descendants.
Roman Roland wrote “Michelangelo”, classified as “celebrity biography”. Michelangelo is the author of “David”, “Genesis”.
米开朗基罗人物生平
On March 6, 1775, Michelangelo Bonarotti was born in the city of Florence, near the Italian city of Capers (Capogez), a city of Florence, a middleman, his father is Caprex and Chiusi two districts of the highest chief executive. Mother died when Michelangelo was six years old. Michelangelo, at the age of 13, entered the studio of the famous painter Dumenico Girlandaio in Florence, where he first touched the divine cause of his life and mastered the painting skills at the magical pace The And then follow the multi-Tuo Luo students Bertold more than a year to learn a sculpture,
Then he went into the “free art school (the American School of Fine Arts)”, which was run by the Florentine ruler, by Lorenzo Meredith, and because of his superiority and mercy by Lorenzo, the large number of works of art in the court became his study , The object of study, often come in the palace of the humanist poets and scholars gave him a great influence. In just four years, he had a great artist in the Midiqi Palace must have the conditions for his entire artistic creation has laid a solid foundation.
In the house of Lorenzo, there is a “Platonic Institute” where scholars gather together to study knowledge, and with the support of Lorenzo, they create a new ideology - humanism, whose idea is to return the world , The people returned to his own. The people of art, literature and science, as well as the individual's independent thoughts and feelings returned to the people, people must not be like a slave tied to the dogma, in the chain of death decay.
Michelangelo also often goes to the religious reformer, the monk Savo Nalala to expose the dark speech of the church, the monk who is not afraid of the fate of the religious court in order to save the fate of mankind to his soul left an indelible mark The After the death of Lorenzo Ricci, Michelangelo lost the protector, Florence was caught in a mess, he felt the hometown of the land, went to Venice and Bologna, after turning Rome to find development opportunities. Rome everywhere ancient statue, as if into a huge treasure house of ancient art.
In 1496, Michelangelo came to Rome, created the first batch of masterpiece “Bacon Baku” and so on. The 23-year-old Michelangelo was commissioned by the French Cardinals to make the “Mourning Christ” statue for St. Peter's Church. The advent of this statue, so that Michelangelo was covered in Rome, since the Dona Taro after another carved star rises.
In 1501, 26-year-old Michelangelo returned to his hometown of Florence, spent four years to complete the world-famous “David”, placed in front of the Virginia Palace, as the patron saint of Florence and the democratic government Symbolic.
In 1505, at the invitation of Julius II, Michelangelo went to Rome to build the tomb for the Pope in St. Peter's Church. Michelangelo's construction was so great that the Pope's artistic director, Brahmant, was so jealous that he instigated the Pope Tempel Kelvin, forced Michelangelo to paint the Sistine Chapel Zenith Mural, Michelangelo spent four years and five months time with extraordinary wisdom and perseverance to complete the world's largest murals Sistine Church Zenith Mural “Genesis”.
In 1513, the Pope's tomb was rebuilt, and Michelangelo worked hard to create the famous “Moses”, “slaves” and “dying slaves”.
1519 to 1534, 44-year-old masters and return to Florence, the birth of the Medici family of Pope Leo X and forced Michelangelo for his ancestral statue of St. Lorenzo mausoleum, he created his greatest life The famous statue “day”, “night”, “morning”, “twilight” is placed on the sarcophagus of the mausoleum.
In 1536, 61-year-old Michelangelo was recalled to the Roman Sistine Chapel, with nearly six years in 25 years ago to complete the “Genesis” zenith painting on the altar wall created a great Church fresco “final judgment”.
1562 by his students, the famous painter, art historian George Vasari invited to become Diano Academy (Florence Academy of Fine Arts) honorary president. After that he has been living in Rome, engaged in sculpture, architecture and a small amount of painting work, until February 18, 1564 died in his studio.
Michelangelo is the crystallization of human genius, wisdom and courage, his glory and achievements belong to all mankind. As the masterpiece of the Renaissance, with his magnificent masterpiece of time and space, in his lifetime and later generations have created an unparalleled great influence. He is as versatile as Leonardo da Vinci, with sculptors, painters, architects and poets. He was able to live to 89 years old, beyond the seventies years, spent more than 70 years of artistic career, he experienced ups and downs and ups and downs of life, so that his life left works with dramatic effects, majestic momentum and The tragedy of mankind.
米开朗基罗艺术成就
Unparalleled sculpture
Michelangelo to the human body as the main means of expressing feelings, the carving works of vigorous, bold, fully embodies the Renaissance vigorous humanistic spirit.
In 1498, only 23 years old Michelangelo began to Rome St. Peter's Cathedral to create a statue of marble group “mourning Christ”, two years later to complete. Works based on the Bible story: Jesus Christ was crucified on the cross, the Virgin Mary holding the dead son extremely sad. Michelangelo portrayed the Virgin as a young, beautiful, quiet, elegant young woman, she silently overlooking the dead son, meditation, mourning, Jesus quietly lying on the knees of the Lord, facial expressions of serenity. The whole statue is immersed in a solemn atmosphere and filled with the greatest maternal love of mankind. It has greatly exceeded the subject matter of the restrictions, life and death, pain and love into one, harmony and unity, praised the lofty ideals and excellent quality. When the work came out, it caused a sensation, and people did not believe it was from the hands of a young man. For this reason, Michelangelo carved his name in the statue of Madonna's chest, which was the only signature in his life s work.
150 years, 26-year-old Michelangelo began to create his world-famous masterpiece - “David”. Which lasted three years, he used a whole piece of marble sculpture of the “David” total up to 5.5 meters. Michelangelo and his predecessors after the victory of the enemy David defeated the enemy's head at the foot of the scene is different, but chose David to meet the fighting scene. The artist vividly shaped a heroic image of the struggle for the cause: young, handsome, strong, resolute, left hand, holding the ride on the shoulders of the “rubble”, the right hand drooping, like the fist, head micro Overlooking the front, ready to fight.
Michelangelo molded not only a statue, but the Renaissance humanism in the art of the full expression of the symbol. It praises the human body, Acura justice and strength. This statue is considered to be one of the most beautiful male statues in the history of art, and has become a model for later artists to study sculptures.
In order to protect the works of art, “David” was originally placed in the Florence Academy of Fine Arts. Not long ago also carried out a thorough cleaning. Here year after year, day after day, visitors flocked. At the same time, in front of the city hall in front of the city of Florence and Michelangelo Square, respectively, stands a replica for people from all over the world to enjoy.
In addition, in the large number of carved works of Michelangelo, “Moses” and “day”, “night”, “morning”, “twilight” and “dying slaves”, “tied slaves” Masterpieces.
Shaky painting
Michelangelo is so young and prestigious, often jealous, has also been broken nose, so that he lifelong self-esteem on their own appearance. However, his name also spread to the Pope's ears.
In 1508, Pope Giulio II asked Michelangelo to draw dome paintings for the Vatican Sistine Chapel. Michelangelo did not want to live, but once he accepted the pursuit of perfection, never “profane” art. After four years and five months time, completed the handed down giant duo painting “Genesis”.
“Genesis” is based on the “Old Testament Founding Date”, the whole works of 511 square meters, the center of the screen by the “create Adam”, “create Eve”, “out of Eden” and other 9 scenes, large screen There are prophets and other related stories, painted a total of 343 characters, of which there are more than 100 times larger than the reality of the giant image, they are very three-dimensional and sense of weight. The whole picture through people and people and the relationship between man and nature, to sing the human creativity and human beauty and spiritual beauty.
Michelangelo was lying on a shelf under the 18-meter-high ceiling, working with Superman's perseverance, and when the whole work was done, the 37-year-old Michelangelo was tired. As long-term look up, head and eyes can not be low, even read the letter should be held to the head. He is the cost of health and life to complete the “Genesis” for future generations to leave not only immortal works of art, but also his kind of dedication for the art of the spirit.
24 years later, Michelangelo and Pope Clement VII of the Covenant, in the Sistine Chapel altar on the front wall painted another shocking huge murals “Doomsday trial.” Michelangelo worked alone for ten years alone, drawing about four hundred characters on a 220-square-meter screen. In the middle of the painting, Christ's righteousness, his right hand, is about to issue a final judgment. Michelangelo also painted a pope to be convicted to accept the hell of a group of people suffering. Christ's left foot A saint's right hand with a knife, his left hand carrying a human skin, and this skin is the face of the painter's own face, his face pain, anger, the performance of Michelangelo is experiencing the spirit and The torture of the crisis and the dissatisfaction with the real world, and by the “doomsday trial” painful dripping to the human ugly whipping.
“Doomsday trial” caused by the sensation can be imagined. However, the nude figure in the masterpiece is controversial, some people think that obscene gods. Soon after the death of Michelangelo, the new Pope Pius IV ordered all nude figures painted fig leaf or clothing. Later, people will be ordered by the painter jokingly called “underwear manufacturers”.
Magnificent architectural design
Michelangelo in his later years with great enthusiasm into the architectural art, and has profound knowledge, so he has become the Italian Renaissance one of the most famous architects.
Michelangelo made a great contribution to the construction of the St. Peter's Basilica in Rome, where he was involved in the design and hosting of the project. He designed the church for the diameter of 42.34 meters of the huge circular dome is not only magnificent, but also from the local to the whole are masterpieces of fine art. The building of St. Peter's Cathedral was vast until it was completed in 1626. It is regrettable that Michelangelo was unable to see his own work. For centuries, it was difficult for countless visitors to board the big dome when all the wonder: Michelangelo was great!
On the Roman Camposio hill, which is connected to the Roman ruins, Michelangelo designed the Roman city hall complex, which is the perfect representative of the Renaissance palace architecture.
篇6：名人故事：米开朗基罗
名人故事：米开朗基罗
鸡窝里飞出凤凰
米开朗基罗的父亲是一位落魄的贵族，贫穷和失业使他变得粗暴冷酷，他对米开朗基罗执意要当艺术家的念头格外恼怒，他决不容许博那罗蒂家的人用凿刀和画笔这种下等工具来浪费时间。他的五个儿子都该去经商，必须成为有钱有势的人，他把所有的希望寄托在他的儿子身上，他相信皮鞭是最好的教育手段。这位对艺术一窍不通的父亲，甚至在米开朗基罗成名后，也不曾真正醒悟，只能从儿子所得到的越来越多的荣誉和金币中体会出一点点艺术的价值。
当米开朗基罗大着胆子把拜名画家吉兰达约为师的事告诉父亲时，父亲愤怒了：“什么?我送你到学费昂贵的学校去深造，是想你有朝一日当个大阔商，佛罗伦萨的豪富们都是这样起家的。你以为我会让你白白地虚度年华，去当画匠来给祖宗脸上抹黑吗，三百年来，没有哪个博那罗蒂的子孙堕落到靠苦力谋生的地步。”
“佛罗伦萨人不是因为有多纳太罗的雕刻和吉兰达约的壁画而感到骄傲吗?我为什么不能去做佛罗伦萨人引以为荣的工作呢?我身上只能榨出艺术。”米开朗基罗试图让父亲明白自己想成为艺术家艺术家的决心。
但是，这位暴怒的老贵族一边叫喊着：“我教你去当贱种吧”一边用拳头捶打着幼小的米开朗基罗。可他仍旧不肯向父亲屈服，口里不停地念着他祖母的格言：“别动火，一个人生来想干什么就该干什么。”
这时，祖母跑进来说：“孩子必须自我生活，米开朗基罗想进画室就让他去吧。”
衰败的博那罗蒂家族，终于走出一位叛逆者，成了“神圣的米开朗基罗”。
走出逆境靠自己
罗伦索·美第奇是佛罗伦萨的掌权者，他酷爱艺术，14岁的米开朗基罗有幸得到罗伦索的赏识，进入他的花园中作画。??
然而罗伦索的病逝，使米开朗基罗在美第奇宫廷花园无忧无虑的生活仅仅持续了3年，执掌宫廷的皮埃罗不再容留他了。但很快米开朗基罗幸运地得到了修道院副院长的默许，每天半夜偷偷地去教堂的停尸房中解剖尸体，这在当时是犯罪的，可为了艺术，米开朗基罗克服了恐惧和一切困难，终于把人体了如指掌，这为他以后的艺术创作打下了坚实的基础。
罗伦索死后，意大利宗教改革家萨沃那罗鼓动贫民反对皮埃罗的统治，法国国王查理也向该城市进军。美第奇花园几世纪收藏的珍宝散弃街头，无数艺术品被毁。米开朗基罗也不得不逃离佛罗伦萨，前往博洛格那。
在新的城市，米开朗基罗接受委托为教堂制作一件雕像，然而由于成就已经远远地超过同行，他受到排挤而不得不离开博洛格那，回到了故乡，但这里也并不欢迎他，于是米开朗基罗想到罗马去碰碰运气，
22岁的米开朗基罗所看到的罗马，是座音乐和谋杀、文明和野蛮交织在一起的城市，他看到的是微贱家庭的虔诚及达官贵人的穷奢极欲，他觉得自己与外界格格不入，是个陌生人，他忧愤地说：“我没有朋友，我不需要一个朋友，亦不会有一个朋友。”幸运的是，米氏只凭自己的才气，最后终于被这座野蛮利己无情竞争的城市所接受，他应征为圣彼得教堂雕塑圣母与基督。作品的成功，使他在罗马名噪一时，他生平第一次也是最后一次在虚荣心的作用下，将自己的姓名和故乡刻在雕像上。
26岁的.米开朗基罗重返佛罗伦萨，他用了两年的时间，完成大卫的雕像。大卫像揭幕的那天，全城的人像过节一样兴高采烈，他们称这座雕像为“巨人”。
“巨人”的名声把米开朗基罗带回了罗马，新教皇给他20万银币请他为自己建造一座陵墓。然而，嫉妒者再一次蜂拥而至，纷纷向教皇挑拨说一个活人为自己建陵墓是不吉利的，教皇听信谗言不再见米开朗基罗，也不再为他拨款。米开朗基罗愤然离去。以后教皇多次召见他，皆遭拒绝，最后教皇亲自去请他，他们相约在途中见面。
米开朗基罗一生就是这样，他从不向权贵低头，他说：“一个人一成为达官贵人的驮骡后，就得驮到死。”
终生未婚为哪般
米开朗基罗终生未婚，有人认为，这是由于他其貌不扬，导致他有很强烈的自卑感。文艺复兴是个讲究仪容的时代，而他中等身材，双肩宽阔，躯体瘦削，头大，眉高，两耳突出面颊，脸孔长而忧郁，鼻子低扁，眼睛虽锐利却很小。可以说，他的长相非常糟糕，不讨人喜欢。
他不怎么喜欢漂亮女人，屋里有女人他就受不了。他也画女人，但总是画成熟的女人，而不是那种妩媚的少女。当时很多艺术家都将人的肉体看作美的体现和源泉，米开朗基罗却对此无动于衷。
还有人说米开朗基罗之所以终身未娶，是由于他是个同性恋者。大约在1532年，托马索·卡瓦列里来到圣安杰洛学习，并以自己英俊的外表和优雅的仪态吸引了米开朗基罗。米开朗基罗爱上了他，并写情诗给他。
后人通常将米开朗基罗与达·芬奇并列为历史上最着名的同性恋者。不过，在文艺复兴时期，这种男人对男人示爱的情形很普遍，女人之间也是一样。
1542年，67岁的米开朗基罗结识了50岁的科隆纳，但是科隆纳认为自己仍然属于已经死去的丈夫，这就注定了他们之间的交往只是一种精神上的爱恋。她送给他143首诗，他的回答也充满爱慕和热情。
他们经常在一起讨论艺术和宗教，在这段日子里，米氏长期存在的悲观情绪消失了。1547年，科隆纳去逝，这使米开朗基罗在很长一段时间内极为消沉，他自责在她生命的最后时刻，没有亲吻她的脸和手。
警世箴言
对好人行善，会使他变得更好;对恶人行善，他就会变得更恶。
睡眠是甜蜜的，成了顽石更是幸福，只要世上还有羞耻与罪恶存在着，不见不闻，无知无觉，便是我最大的幸福，不要来惊醒我!
篇7：米开朗基罗名言名句
有关米开朗基罗名言名句
第二摄影机从开场就进来，紧跟卡门，但当我们建议为此匹配席尔瓦诺的特写时，米开朗基罗用手语拒绝了这个想法：“够了。”他不需要席尔瓦诺的特写，所以他不拍。5分钟就能拍完，但不拍，他不感兴趣。即便我和阿菲奥找他争辩，告诉他可以以后在剪辑室再决定要不要这个镜头，米开朗基罗既然执拗。他对男的没兴趣；特写只给女性。渐渐我明白了：男人出现在电影里，是因为他的眼睛看见了女人，因此摄影机要表现他她，而不是他。够了。 ----维姆・文德斯《与安东尼奥尼一起的时光》
你长的比米开朗基罗的作品还有创意
活的比中国谍战片里面主角还有勇气
我孤独着悲惨地生活着，好似包裹在树皮中的核心……我的声音仿佛是幽闭在臭皮囊中的胡蜂……我的牙齿动摇了，有如乐器上的键盘……我的.脸不啻是吓退鸟类的丑面具……我的耳朵不息地嗡嗡作响：一只耳朵中，蜘蛛在结网;另一只中，蟋蟀终夜地叫个不停……我的感冒使我不能睡眠……予我光荣的艺术引我到这种结局。可怜的老朽，如果死不快快来救我，我将绝灭了……疲劳把我支离了，分解了，惟一的栖宿便是死…… ----米开朗基罗《名人传》
监视器后面的米开朗基罗很愉快，他的激情戏按他想要的方式演了。我很少看到他如此充满热情。他像只吃到奶油的猫。 ----维姆・文德斯《与安东尼奥尼一起的时光》
我在大理石中看见天使，于是我不停地雕刻，直至使他自由。 ----米开朗基罗
是你让我看见干枯沙漠开出花一朵 是你让我想要每天为你写一首情歌 用最浪漫的副歌 你也轻轻的附和眼神坚定着我们的选择 是你让我的世界从那刻变成粉红色 是你让我的生活从此都只要你配合 爱要精心来雕刻 我是米开朗基罗 用心刻画最幸福的风格用时间 去思念 爱情有点甜这心愿 不会变 爱情有点甜
你是我的什么？你不是我的优乐美，不是我的益达。你是我的大理石，我是你的米开朗基罗，你有先天裂痕，我有琢石执念，修修补补，直到雕琢出我的大卫。
我穷得只有一块石头了，而你存在于我心里，我只是照着我的内心，每天和你说说话。我想要珍惜我的石头，我不想很多年后有人问起这个时代，我只能冷冷地说，那个年代，真情都很匮乏。
一块一块地擦去一切不真实的，没用的，没有意义的东西，就像米开朗基罗的大卫一样，直到您生活中剩下的东西美的让人窒息。
在艺术的境界里，细节就是上帝 ----米开朗基罗
Welcome is sleep, more welcome the sleep of stone.Whilst crime and shame continue in the land;My happy fortune, not to see or hear;Waken me not - in mercy, whisper low睡眠是甜蜜的 ,成为顽石更幸福 ;只要世上还有罪恶与耻辱 ,不见不闻 ,无知无觉 ,于我是最大的快乐 ;不要惊醒我 阿! 讲得轻些 . ----米开朗基罗《其雕像 夜的提诗 睡》
你不是我的优乐美，不是我的益达。
你是我的大理石，我是你的米开朗基罗，你有先天裂痕，我有琢石执念，修修补补，直到雕琢出我的大卫。
如果米开朗基罗在雕大卫时，知道三天以后这件作品将被炸毁，他一定歇手饮酒去了。 “永恒”的观念，迷惑着艺术家。 ----木心《素履之往》
如果我说我爱你,会怎样？
就像在明亮的房间里点燃了烛火。 ----米开朗基罗・安东尼奥尼《云上的日子》
当我发现所有对于上帝的美好寄托都是虚渺的时候，我才开始认识到，其实世界上的希望都应在于我们自己。只有寄希望于自己，才是最为可靠和安全的。 ----米开朗基罗
★ 山居笔记读后感
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