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麦积山导游词优秀

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麦积山导游词优秀（共20篇）由网友“风海流与花”投稿提供，以下是小编收集整理的麦积山导游词优秀，希望对大家有所帮助。

麦积山导游词优秀

篇1：麦积山导游词

The climate of Tianshui is suitable for the survival of mankind. That makes it become a cradle of the Chinese nation. As we know, Fuxi and Nuwa who are the Chinese ancestors lived here. They created the early period of Chinese culture. For the suitable climate, there are many wonderful attractions. This time we will go to Maiji Mountain, and visit Maiji Mountain Grottoes.

Maiji Mountain is located 50 km far from Tianshui just to the south of Maiji Village. It is only 142 meters above the ground, but the altitude of about 2,000 meters above the sea level. It is a single and distinct peak of the xiaolong Mountain of Western Qinling Range. Since it looks like a huge wheat straw pile from afar, it is called Maiji Mountain (the Wheat Straw Pile Mountain). The flouring various plants with clouds wrapping them in a blanket of mist create one of nature’s most majestic sights. In the late of the Western Hang Dynasty, it became the palace of Kui Xiao (隗嚣) who is a famous general of Tianshui. The Maiji Mountain Scenic Area was listed as a famous resort under the state protection by the State Council in 1982. And Maiji Mountain Grottoes are the most important area of it, which rank the second in the four well-known grottoes in Gansu Province. (The four well-known grottoes are Mogao Grottoes, Maiji Mountain Grottoes, Bingling Temple Grottoes and Mati Temple Grottoes.)

The grottoes of Maiji Mountain are caved in the cliffs, which are in rows 20 to 30 meters or 70 to 80 meters above the foot of mountain. That makes them look like a huge honeycomb in the distance. The wide of those grottoes which are linked by some dangerous ways is from 3 meters to about 1 meter.

Maiji Mountain Grottoes were first dug in the Qin Dynasty of the Sixteen States Period (about 384 to 417 AD). And the grottoes were cut and repaired in the successive dynasties of the Northern Wei Dynasty, the Western Wei Dynasty, the Northern Zhou Dynasty, the Sui Dynasty, the Tang Dynasty, the Five Dynasties, the Song Dynasty, the Yuan Dynasty, the Ming Dynasty and the Qing Dynasty. An earthquake which occurred in Tianshui during the Tang Dynasty (734 AD) resulted in collapse of the cliff, and the grottoes were subsequently divided into tow sections: the Eastern and the Western with 54 and 140 grottoes respectively, which were called the Eastern Pavilion and the Western Pavilion during the Five Dynasties.

In the Eastern, there is the Thousands of Buddhism Corridor, the Throwing Flowers Building, the Upper Seven-Buddhism Pavilion, and the Middle Seven-Buddhism Pavilion, and so on. In the Western, there are 3 grottoes which are the most famous. In them, the biggest is the Thousands of Buddhism Pavilion, the second is the Heavenly Cave, and the smallest is the Cave NO.127, which were all cut in 6 AD.

There is a legend associated with the Throwing Flowers Building. It is said that Sakyamuni appeared here to preach. During the first time, there were tens of thousands of disciples in the valley which was under the

Throwing Flowers Building. In order to know whether all of them understand the Buddhist thoughts and tenets, the 28 flying aspara threw different kinds of petals to them. If the disciples understood, the petals would not fall, but fall; if not, the petals would fall. It was surprised that all of the petals rose. Now you can throw some pieces of paper, you will find the pieces rise. Do you know why? Because there is an air current which can make some light things rise.

Though Maiji Mountain Grottoes are suffered many earthquakes and fires, now there are 194 grottoes, more than 7,200 statues and over 1,300 square meters murals. As the stone of Maiji Mountain is unfit for caving, most statues are clay sculptures, but they are quite exquisite. The sculptures are mainly images of Buddha and his disciples, Bodhisattvas, the Heavenly Kings and Vajras. It is surprised that the sculptures have been preserved well, even though the climate is wet in Maiji Mountain.

Like the earliest sculpture of Mogao Grottoes, the grottoes of Maiji Mountain were obviously influenced by the Indian style in 30 caves during the Northern Wei Dynasty, the Western Wei Dynasty and the Northern Zhou Dynasty. By the time of the Song Dynasty, the style was changed greatly due to mixing the Indian culture and the Central Chinese culture. The sculptures wear diverse countenance looking vivid. And the dress of them is soft and natural. In the late period, the style was continuously improved on the basis of the Chinese current culture. So the sculptures are more vivid than before and full of the interest of worldly life. However, since the Northern Wei Dynasty, almost the sculptures bowed their heads, as if they were looking this world. They are the gods, but they look like the human beings.

The grottoes of Maiji Mountain are of high values for the study on politic, economy and culture in ancient China, even though they are the Buddhist arts. The grottoes embody the Chinese national tradition and consciousness, and also have the characteristic of making the form show the spirit. Especially the sculptures of the Sui and Tang Dynasty are full and rounded, and in the Song Dynasty, they are thin, delicate and pretty. Maiji Mountain Grottoes reflect the evolution of the clay sculptures art in China. They are referred to as “the treasure houses of oriental sculptures”.

篇2：麦积山导游词

Located 45 kilometers (about 28 miles) southeast of Tianshui City in Gansu Province, Maiji Mountain rises up abruptly 142 meters (about 155 yards) from the landscape. The people named the mountain Maiji because it resembles a stack of wheat straw (mai meaning wheat, and ji meaning stack). On the sheer cliff that marks the southwest side of Maiji Mountain, people have labored for centuries carving niches and caves, giving rise to what is known today as the Maiji Caves. Inside the caves are clay statues, whose heights vary from 20 centimeters (about 8 inches) to 15 meters (over 49 feet). Besides 194 Buddhist caves and niches, containing more than 7, 200 clay statues, there are also murals of over 1, 300 square meters (about 1, 555 square yards) in the Maiji Caves as well. These statues are works of art that reflect ancient craftsmanship and dedication to the Buddhist ideal. Rarely can one find caves and statues carved over sheer cliffs in China, and this is one of the most distinguishing features of Maiji Caves. Being carved on the cliff, these caves are connected by plank roads that hang precariously along the face of the cliff. Visitors can only reach each cave by using these plank roads, which offers a breathtaking experience.

Work on the Maiji caves began in the late Qin Dynasty (221 BC - 206 BC), progressing through to the Qing Dynasty (1644 - 1911). The Northern Wei(386 - 534) period was also a time of its great prosperity, and Buddhism began to prevail as a cultural force. Subsequent dynasties added to and sometimes rebuilt the caves according to the styles of the era. Interestingly, although the statues were built at the same location, none of them maintained a similar style with those preceding it. Statues from each dynasty clearly developed distinct elements.

Another curious feature of the statues is their trend toward secularization, that is, a move toward depicting the icons as man rather than god. Except for statues built in the early period, almost all Buddhist statues look affable and accessible. They were no longer gods standing high in the heaven, but rather became more like common people.

Because of its exquisite clay statues and superb sculptural skills, Maiji Caves acquired special recognition. They have been classified as an Oriental Statues Exhibition Hall. Maiji Caves are one of the four most important caves in China. The other threes are Mogao Caves in Dunhuang, Gansu Province, Yungang Caves in Datong, Shanxi Province, and Longmen Grottoes in Luoyang, Henan Province. Their emphasis is on exquisite statues and beautiful natural scenes, while the others are on florid murals or magnificent stonecutting.

There are other places of interest near Maiji Mountain as well, Xianren Cliff,Shimen Mountain, Quxi and Maiji Arboretum, all offer fine panoramic views of mountains, rivers and plants in Northwest China.

篇3：甘肃麦积山导游词

麦积山，地处天水市东南方50公里的北道区麦积山乡南侧，是西秦岭山脉小陇山中的一座孤峰。麦积山风景名胜区总面积215平方公里，包括麦积山、仙人崖、石门、曲溪四大景区和街亭古镇，麦积山石窟为中国四大石窟之一，其它三窟为：敦煌莫高窟，龙门石窟、云冈石窟。麦积山石窟属全国重点文物保护单位，也是闻名世界的艺术宝库。

麦积山为典型的丹霞地貌，因形如农家麦垛而得名，山崖拔地而起，高80米，山势险峻，周围绿树成林，环境清幽。西汉末年，麦积山已成为天水名将隗嚣的避暑宫。这里松桧阴森，横云飞渡，烟雾团绕，碧水长流，“其青云之半，峭壁之间，镌石成佛，石龛千室”，荟萃着后秦、西秦、北魏、西魏、北周、隋、唐、五代、宋、元、明、清等十多个朝代的塑像7200余尊，壁画1300多平方米，分布在194个洞窟里，与敦煌莫高窟、大同云岗石窟、洛阳龙门石窟一样，有着珍贵的艺术宝藏。如果就艺术特色来分，敦煌侧重于绚丽的壁画，云岗、龙门著名于壮丽的石刻，而麦积山则以精美的塑像闻名于世。正如我国雕塑家刘开渠所赞美的：麦积山是“我国历代的一个大雕塑馆。”

麦积山历史悠久，早在16前就享有盛名。五代人撰写的《玉堂闲话》中说：“麦积山者，北跨清渭，南渐两当，五百里冈峦，麦积处其半，崛起一石块，高百丈寻，望之团团，如民间积麦之状，故有此名”。杜甫有诗赞曰：“野寺残僧少，山圆细路高。麝香眠石竹，鹦鹉啄金桃。乱石通人过，悬崖置屋牢，上方重阁晚，百里见秋毫。”麦积山石窟是随着丝绸之路的畅通，从十六国后秦时期开始营造的。据《梁高僧传》载，南宋永初年间，高僧昙弘禅居麦积山，不久名僧玄高继至，二人共住寺院，常有学徒300余人。西魏时，魏文帝原配皇后乙弗氏在这里死后，“凿麦积崖为龛而葬。”北周保定、天和年间，秦州大都督李允信为其亡父造七佛阁，曾请庚信为他写了一篇《秦州天水郡麦积崖佛龛铭并序》。隋文帝仁寿四年，秦州使在麦积山顶修建高9.4米的七级宝塔一座，相传为阿育王84000宝塔之一。至今宝塔仍巍然屹立在山顶，不过只存五级，并系近年重修。

当人们进入麦积山风景区后，首先映入眼帘的是凭崖而凿的一组雕刻造像。中间一座佛，高达15米，左右两尊菩萨侍立，喜笑颜开，迎送来往游客。行至山前，抬头仰望，只见龛窟密如峰房，依窟建檐，层层相叠。栈道云梯修建于悬崖，浅龛深窟开凿于峭壁，其建筑高超雄伟，工程奇险浩大，令人赞绝。历代游客诗人，虽惊慕不已，敢于攀至顶端者却少如凤毛麟角。唯心史观有五代诗人王仁裕斗胆攀登，才写下了：“蹑尽悬崖万仞梯，等闲身与白云齐;檐前下视群山小，堂上平分落日低;绝顶路危人少到，古岩松健鹤频栖;天边为要留名姓，拂石殷勤手自题。”的切身感观。不过，现在的麦积山经过大规模的加固修整和栈道修复，摇摇欲坠的崖体已经稳定，山上栈道也宽阔整齐，安全可靠，昔日王仁裕笔下的险恶情景早已成为历史。人们可以放心大胆地登游各个崖阁，随心所欲地进入各个洞窟，感情奔放地远眺山下美景。

麦积山高达142米，石窟多凌空凿于20至70米高的悬崖峭壁上，有崖阁、摩窟、摩崖龛、山楼、走廊。窟形有人字坡顶、方塌四面坡顶、拱楣、穹顶、方楣平顶、方楣覆斗藻井、方形平顶、圆形小浅龛、盂顶。这些不同类型的窟龛、崖阁，是研究中西文化交流和建筑结构演变、发展的实物资料。据记载，当年开凿石窟时，从下堆积木材，达到高处，然后施工，营造一层，木材拆除一层，直到山脚。相传，李允信为其亡父造七佛阁时，就动用人工40万个。直到现在，当地还流传有：“砍完南山柴，修起麦积崖”，“先有万丈柴，后有麦积崖”的民谣。就连美国首批游客在1947年《和平日报》中也称赞麦积山石窟是“全世界七大工程又增其一”。

麦积山石窟，原是一个完整的山体，唐开元二十二年，天水一带发生强烈地震，使崖面中间部分塌毁，整个窟群便分为东崖和西崖两部分。东崖现存洞窟54个，西崖140个。由于麦积山石质皆为紫褐色之水成子母岩，不宜精雕细镂，所以大多采用泥塑和绘画。麦积山塑像，主要题材有佛、菩萨、弟子、天王、力士等，尽管各代塑像同处一堂，但并不因袭模仿，而是保持着各自的时代特色，系统地反映了我国泥塑艺术的发展、演变过程。无论是高达15米的巨像，还是只有0.3米的小像，都给人以美感。苏联雕塑家尼·克林杜霍夫在参观麦积山塑像后，激动地说：“北魏和宋的雕塑在我看来是最引人入胜的。它们具有惊人的内心世界，极富表现力的构图和雄伟的形体。”

麦积山塑像有数千身，这里只能指出几件较有代表性的杰作，起“窥一斑而知全豹”的作用。东崖造像，最壮丽的是4号窟上七佛阁。7间佛龛里有42尊菩萨塑像，神态庄严可亲，华美而不俗，充满着人间善良、慈祥和世俗的感情。各龛间都装饰着天龙八部的浮塑，面容狞怪而不丑恶，表现了男性的健美、威严、正直、勇猛、坚毅的性格。与上七佛阁紧接的5号窟，名曰“牛儿堂”。中间龛门前有一摩醯首罗天，站在一只卧着的犊牛身上。这个牛儿，塑造得相当动人：圆圆的眼，顽皮地注视前言，脚虽蟠曲着，却似乎要跃起的样子，松弛的颈上垂着的皮，也象在动着。不仅身形姿态具备了牛的特征，最出色的是把一只犊牛所具有的稚气和活泼表现出来了，当地农人非常喜爱，称为“金蹄银角的牛娃”。在牛儿堂西端有一可容一人通过，长约10米的隧道，门顶刻有：“小有洞天”四个字。相传在明朝古历四月初八的一天，秦州有个州官，游麦积山庙会，一时兴起，想从七佛阁的摆渡铁链上，用鹞子翻身的纵跃姿势，游荡到牛儿堂去，居然成功了。可是当他站稳在牛儿堂，定睛向下观看，只见悬崖陡立，山谷人群如同蚂蚁，顿时头晕目眩，腿软抖战，再也不敢迈步了。众衙役只得火速请来一群石匠凿开了一个小洞，州官才从洞里爬了过来，至今当地还有“鹞子翻身，牛儿堂”的说法。

在西崖的石窟中，以133号和127号石窟为最大。133号碑洞，是麦积山最特殊的一个洞窟。洞中不仅有许多泥塑作品，而且有18块石碑，有几块碑面密列贤动千佛小佛像，因此又称“万佛堂”。其中10号、11号、16号为众碑之精华。127号窟更为精彩，四壁及藻井壁画大部皆存，笔致纵放，为后魏作风。中绘佛说法图，千乘万骑来听。西画舍身饲虎图，虎有12，形态各异，堪称精品。尤其正壁龛中一石雕佛，最为妙绝，石佛背光中，上部伎乐天人12，各奏乐器。下部有飞天8个。左右各一侍者，虽小而各具神态。卷涡莲花中，亦有莲花生小佛头。中间坐佛，举掌端坐，显出说法时的慈祥和悦。这座雕像，不要说在麦积山中，就是在世界佛教艺术中，都是稀有的珍品。

麦积山周围还有几个引人入胜的风景点。如麦积山后崖三扇崖下的雕巢峪，是西汉末年，雄居天水自称西州上将军隗嚣的避署宫。当年的避暑宫，亭台楼阁错落，曲道回廊相连，琉璃碧瓦泻翠，红墙金龙辉映，三檐四簇雕凤，花影翠竹婆娑，银练珠玑飞溅。随着时间的流逝，金碧焕彩的避暑宫早已绝迹，只有三扇崖下高40米左右的飞瀑、古柏苍松、嶙嶙怪石、奇花芳草、珍禽异兽尚存，组成处处有景，景景迷人的自然景观。

1982年，麦积山以甘肃麦积山风景名胜区的名义，被国务院批准列入第一批国家级风景名胜区名单。

石窟文化

麦积山石窟保留有大量的宗教、艺术、建筑等方面的实物资料，丰富了中国古代文化史。

一、宗教

以佛教为主，反映了三佛、七佛，西方净土等内容，从壁画和雕刻石碑中反映佛本生和佛传故事是佛教文学的一种重要形式，如睒子本生、萨陲那太子舍身饲虎、涅盘等。通过对佛、菩萨、飞天等形象的塑作，反映了佛教对现实世界的精神启迪。

二、艺术

真实地反映了那个时代艺术家对美好生活的无限向往和审美取向。北魏造像秀骨清俊，睿智的微笑，暗含着对恐怖现实的蔑视，对人生荣辱的淡忘和超脱世俗之后的潇洒与轻松;西魏、北周造像的温婉和淳厚，沉醉于对现实生活的追求和对佛国世界的向往;隋唐造像丰

满细腻;宋代造像衣纹写实，面貌庄重。麦积山艺术以泥塑见长。艺术家们扬弃了以往那种斤斤计较的细部讲究，而把感染力提到了统率一切的高度，神情动人，富有生活气息。从麦积山各时代造像可窥见当时艺匠们突破佛教的清规戒律，以现实生活中的人物为主要素材，加以艺术的夸张、想象、概括、提炼而创作出来的具有浓郁生活气息的宗教人物：佛、菩萨、弟子、供养人等形象。第121窟中窃窃私语的佛弟子，第123窟中童男、童女所表现的虔诚，不是苦行者的虔诚，而是在时代思潮影响下的童稚般的真诚和愉悦。所以，麦积山塑像受当地社会环境的影响使其表现了当地的人与情，使佛教造像好像在生活中似曾相识，使人感觉佛国世界的可亲可爱，从而虔诚信奉。

麦积山石窟也曾是“有龛皆是佛、无壁不飞天”，但由于多雨潮湿，壁画大多剥落，但仍保留北朝时期的西方净土变、涅磐变、地狱变及睒子本生、萨陲那太子舍身饲虎等本生故事、壁画中描绘的城池、殿宇、车骑和衣冠服饰多具有汉文化特色，反映这一时期的现实生活。尤其是飞天，多彩多姿更具特色，有泥塑、雕刻、绘画以及薄肉塑四种形式的飞天。虽然飞天的故乡在印度，但麦积山的飞天却是中外文化共同孕育的艺术结晶，是印度佛教天人和中国道教神仙融合而成的中国文化的飞天。她没有翅膀，没有羽毛，她是借助云彩而不依靠云彩，只凭借飘曳的衣裙、飞舞的彩带，凌空翱翔的美丽少女，是中国古代艺术家最具天才的杰作。同时，在壁画、雕塑中也同样反映舞蹈、乐器、为研究国古代音乐等方面提供了宝贵的资料。

三、建筑艺术

麦积山石窟开凿在悬崖峭壁之上，洞窟“密如蜂房”，栈道“凌空飞架”，层层相叠，其惊险陡峻为世罕见，形成一个宏伟壮观的立体建筑群。其仿木殿堂式石雕崖阁独具特色，雄浑壮丽。洞窟多为佛殿式而无中心柱窟，明显带有地方特色。

麦积山石窟群中最宏伟，最壮丽的一座建筑是第四窟上七佛龛，又称“散花楼”，位于东崖大佛上方，距地面经约八十米，为七间八柱庑殿式结构，高约九米，面阔三十米，进深八米，分前廊后室两部分。立柱为八棱大柱，覆莲瓣形柱础，建筑构件无不精雕细琢，体现了北周时期建筑技术的日臻成熟。后室由并列七个四角攒尖式帐形龛组成，帐幔层层重叠，龛内柱、梁等建筑构件均以浮雕表现。因而，麦积山第四窟的建筑是全国各石窟中最大的一座摹仿中国传统建筑形式的洞窟，是研究北朝木构建筑的重要资料，真正如实地表现了南北朝后期已经中国化了的佛殿的外部和内部面貌，在石窟发展史上具有重要的意义。 121窟：

方位：

西崖上层西端。

时代：

北魏晚期，宋重修。

窟形：

覆斗藻井平面方形窟。窟内正、左、右壁开尖拱深龛;窟高2.55米，宽2.36米，深2.15 米。

造像：

三壁龛内各塑一佛。正龛内左、右壁中门内两侧塑二力士。佛上半身为宋代重塑，下身衣裙搭于座前呈三瓣式下垂，结跏跌坐于方台上，弟子穿袈裟，下着裙。左弟子塔螺旋发髻。菩萨着褒衣博带式袈裟。菩萨与弟子紧紧相依，面带笑意，双手合掌于胸前，作拍手状，似在窃窃私语，会心交谈，犹如现实生活中一对亲姐弟一般，充满着青春活力与动人的情感，使人位感自然与亲切。力士头部宋代重修。左力士袒上身，下着裙，披巾于腹部穿圆、交叉，左手持金刚杆而立，右手提风带，右力士着宽袖上衣，下着长裙，垂手而立，身穿护身铠甲，刚健雄武，具有一种威严震慑的气魄。此窟为北魏晚期代表性重要沿窟之一。

壁画：佛、菩萨彩绘背光，项光。藻井壁画，大部剥落，均被烟熏黑，仅飞天飘带，隐约可见。

篇4：甘肃麦积山导游词

迎着秋风，踏着青草。我们全家人前往天水旅游。而在这次的天水之游中，给我印象最深的旅游景点便是著名的“麦积山石窟”了。

经过四个多小时的路程，我们到达了天水市。住进旅馆，吃过午饭，我们便马不停蹄地赶往第一个旅游目的地——麦积山石窟。

“真是凑巧，刚刚还阳光明媚，现在却已细雨绵绵。唉，下雨可怎么玩呀!”我低声抱怨着。“这你就错了，”爸爸说，“‘麦积烟雨’可是麦积山的一大奇景，一般可碰不到呢!”听了这话，我眼前一亮，盼望着早点看到这“奇景”。

到了麦积山山脚，清新的空气扑鼻而来。远远望去，山体酷似农家麦垛，因下雨形成的雾气，环绕着山头，朦胧的景象给人带来一种神秘的气息，犹如仙境一般。

吸着新鲜的空气，闻着青草的香味，我们徒步走到了麦积山石窟下。

听导游说：麦积山石窟始凿于十六国后秦，经十多个朝代开凿重修，距今约一千六百年历史，是中国四大石窟之一。现存洞窟194个，大小造像7200余尊，分泥塑，石雕和石刻造像碑三类，以泥塑为主，素有“东方雕塑陈列馆”的美誉。深厚的民族传统，鲜明的世俗化和浓郁的生活情趣，是麦积山石窟的显著特征。

听着导游的讲解，我们不知不觉走到了山顶(指人能走到的最高处)。看着一尊尊栩栩如生的雕像,我仿佛看到了我们的祖先在这座陡峭的山上，利用他们的智慧，造出这一尊尊神奇的雕像。他们有的在雕刻，有的在上色，有的在固定……总之，到处都有他们勤劳的身影。

在这么多雕像中，令我赞叹的有两处。首先便是位于山东侧的“西方三圣”雕塑。中间的阿弥佗佛长13米，威严壮观，神形兼备，琉璃珠做的眼睛炯炯有神，衣服上的褶皱做得细致入微，因为在和泥时加入了发丝等材料，使得佛像看起来光滑细嫩，像真的一样。其次就是被称为“东方微笑”的小沙弥。他两眼微闭，嘴巴上翘，头微微低下，显出东方人特有的可爱与含蓄。非常讨人喜欢。

游完麦积山，我心中感慨万分，我们的祖先，利用他们的智慧、勤劳与恒心，为后人留下了这样值得骄傲的文物。而作为龙的传人的我们，更应该将祖先们勤劳朴实，持之以恒的精神发扬光大，让我们的祖国更加繁荣昌盛，生生不息。

篇5：甘肃麦积山导游词

麦积山风景名胜区在西秦岭北支脉的东段，总面积215平方公里，包括麦积山、仙人崖、石门、曲溪四大景区和街亭古镇。其中，以麦积山石窟最为著名。麦积山为典型的丹霞地貌，因形如农家麦垛而得名，山崖拔地而起，高80米，山势险峻，周围绿树成林，环境清幽。西汉末年，麦积山已成为天水名将隗嚣的避暑宫。十六国后秦(公元384-420_年)时期，始修凿石窟，后经北魏、西魏、北周、隋、唐、五代、宋、元、明、清十多个朝代，1500多年的开凿重修，已成为我国著名的大型石窟群之一。

麦积山石窟有洞窟194个，泥塑和石刻造像7200余身，壁画1300多平方米，尤以泥塑艺术见长，被誉为“东方雕塑艺术馆”。麦积山石窟是中国诸多石窟寺庙中风景最为秀丽的一座，以七佛阁、万佛洞、牛儿堂、寂陵等最为著名。泥塑以形传神，神形兼备，反映的内容具有彻底的世俗和浓厚的生活情趣。塑绘手法是上彩不重彩，特色显明。麦积山景区有一植物园可供参观游览。

麦积山石窟是中国四大名石窟之一，于一九六一年被国务院公布为第一批全国重点文物保护单位。并和仙人崖、石门、曲溪、街亭温泉一起于一九八二年被国务院公布为第一批重点风景名胜区。

篇6：甘肃麦积山导游词

麦积山石窟属全国重点文物保护单位，建自公元384年，后来经过十多个朝代的不断开凿、重修，遂成为我国著名的大型石窟之一，也是闻名世界的艺术宝库。现存洞窟194个，其中有从4世纪到19世纪以来的历代泥塑、石雕7200余件，壁画1300多平方米。麦积山石窟的一个显著特点是洞窟所处位置极其惊险，大都开凿在悬崖峭壁之上，洞窟之间全靠架设在崖面上的凌空栈道通达。游人攀登上这些蜿蜒曲折的凌空栈道，不禁惊心动魄。古人曾称赞这些工程：“峭壁之间，镌石成佛，万龛千窟。碎自人力，疑是神功。”附近群众中还流传着“砍完南山柴，修起麦积崖”，“先有万丈柴，后有麦积崖”的谚语。可见当时开凿洞窟，修建栈道工程之艰巨、宏大。

麦积山石窟艺术，以其精美的泥塑艺术闻名中外。历史学家范文澜曾誉麦积山为“陈列塑像的大展览馆”。如果说敦煌是一个大壁画馆的话，那么，麦积山则是一座大雕塑馆。这里的雕像，大的高达15米多，小的仅20多厘米，体现了千余年来各个时代塑像的特点，系统地反映了我国泥塑艺术发展和演变过程。这里的泥塑大致可以分为突出墙面的高浮塑，完全离开墙面的圆塑，粘贴在墙面上的模制影塑和壁塑四类。其中数以千计的与真人大小相仿的圆塑，极富生活情趣，被视为珍品。

麦积山的塑像有两大明显的特点：强烈的民族意识和世俗化的趋向。除早期作品外，从北魏塑像开始，差不多所有的佛像都是俯首下视的体态，都有和蔼可亲的面容，虽是天堂的神，却象世俗的人，成为人们美好愿望的化身。从塑像的体形和服饰看，也逐渐在摆脱外来艺术的影响，体现出汉民族的特点来。

麦积山的洞窟很多修成别具一格的“崖阁”。在东崖泥塑大佛头上15米高处的七佛阁，是我国典型的汉式崖阁建筑，建在离地面50米以上的峭壁上，开凿于公元6世纪中叶。麦积山石窟虽以泥塑为主，但也有一定数量的石雕和壁画。麦积山石窟被列为国家重点文物保护单位，新架和修复了1300多米的凌空栈道，使游人能顺利登临所有洞窟。麦积山石窟的造像最高大者达16米，最小者仅为10余厘米。其中第44窟造像被日本人称为“东方的维纳斯”。西秦的78窟、128窟的造像的僧衣细致地绘出了图案。建于七十余米高的的七佛阁上塑像俊秀，过道顶上残存的壁画精美绝伦，其中西端顶部的车马行人图，无论从哪个角度看车马所走方向均不相同，堪称国内壁画构图之经典之作。

篇7：甘肃麦积山导游词

各位游客们，我是你们导游XX，本次旅行的目的地是麦积山石窟。麦积山位于甘肃省天水市东南约35公里处，是我国秦岭山脉西端小陇山中的一座奇峰，海拔1742米，但山高离地面只有142米，山的形状奇特，孤峰突起，犹如麦垛，因此人们称之为麦积山。麦积山石窟也是国家文物局公布的“丝绸之路：起始段与天山廊道的路网”22处申遗点之一，定于在世界遗产大会上表决。它是麦积山风景名胜区重要景点，国家5A级旅游景区，麦积山石窟为中国四大石窟之一，被誉为“东方雕塑馆。

山峰的西南面为悬崖峭壁，石窟就开凿在峭壁上，有的距山基二三十米，有的达七八十米。在如此陡峻的悬崖上开凿成百上千的洞窟和佛像，在中国的石窟中是罕见的。

麦积山的洞窟很多修成别具一格的“崖阁”。在东崖泥塑大佛头上15米高处的七佛阁，是中国典型的汉式崖阁建筑，建在离地面50米以上的峭壁上，开凿于公元6世纪中叶。麦积山石窟虽以泥塑为主，但也有一定数量的石雕和壁画。麦积山石窟被列为国家重点文物保护单位，新架和修复了1300多米的凌空栈道，使游人能顺利登临所有洞窟。

如果说敦煌是一个大壁画馆的话，那么，麦积山则是一座大雕塑馆。这里的雕像，大的高达16米，小的仅有10多厘米，体现了千余年来各个时代塑像的特点，系统地反映了中国泥塑艺术发展和演变过程。这里的泥塑大致可以分为突出墙面的高浮塑，完全离开墙面的圆塑，粘贴在墙面上的模制影塑和壁塑四类。其中数以千计的与真人大小相仿的圆塑，极富生活情趣，被视为珍品。麦积山石窟保留有大量的宗教、艺术、建筑等方面的实物资料，丰富了中国古代文化史，同时也为后世研究我国佛教文化提供了丰富的资料和史实。

现在就让我们去看一下这个历史悠久的麦积山石窟吧。

篇8：甘肃麦积山导游词

各位旅客朋友们：

大家好!

麦积山石窟艺术，以其精美的泥塑艺术闻名中外。历史学家范文澜曾誉麦积山为“陈列塑像的大展览馆”。如果说敦煌是一个大壁画馆的话，那么，麦积山则是一座大雕塑馆。这里的雕像，大的高达16米，小的仅有10多厘米，体现了千余年来各个时代塑像的特点，系统地反映了我国泥塑艺术发展和演变过程。这里的泥塑大致可以分为突出墙面的高浮塑，完全离开墙面的圆塑，粘贴在墙面上的模制影塑和壁塑四类。其中数以千计的与真人大小相仿的圆塑，极富生活情趣，被视为珍品。

石窟建自公元384年，后来经过十多个朝代的不断开凿、重修，遂成为我国著名的大型石窟之一。麦积山石质皆为紫褐色之水成岩，其山势陡然、独峰耸立，最初有许多天然岩洞。现存洞窟194个，其中有从4世纪到19世纪以来的历代泥塑、石雕7200余件，壁画1300多平方米。由于麦积山山体为第三纪沙砾岩，石质结构松散，不易精雕细镂，故以精美的泥塑著称于世，绝大部分泥塑彩妆。被雕塑家刘开渠誉为“东方雕塑馆”。

麦积山的塑像有两大明显的特点：强烈的民族意识和世俗化的趋向。除早期作品外，从北魏塑像开始，差不多所有的佛像都是俯首下视的体态，都有和蔼可亲的面容，虽是天堂的神，却象世俗的人，成为人们美好愿望的化身。从塑像的体形和服饰看，也逐渐在摆脱外来艺术的影响，体现出汉民族的特点。

篇9：甘肃麦积山导游词

各位团友大家好!很高兴能与来自五湖四海的朋友们相聚在我们麦积山。

首先。请允许我代表旅行社向各位的到来表示衷心的感谢和热烈的欢迎!有句话说得好：前世几百次的回眸才换来今生的一次擦肩而过，或许相聚就是一场缘分，既然有缘就让我们彼此来认识一下吧!在我旁边的这位是司机林师父、，他有着丰富的驾车经验，在他的护航下大家进可将两颗心交给我们，一颗是“放心”交给我们的护航大使林师父，另一颗呢是“开心”就交给我吧，我是各位本次的导游……，大家叫我小郭、郭导、小导都可以，怎么顺口怎么叫吧!

其实旅游是件很开心的事，话说旅行不必在乎其目的，只需在乎沿途的风景及看风景时的心情，所以希望兰州的好山好水能给各位带来一份好心情，那么在整个行程中如果各位有什么需要帮助的，请尽管来找我，我会竭尽全力地为大家服务，同时也希望我的工作能得到各位的支持与配合，在此预祝大家在兰州玩的开心!希望这次行程就像我的名字一样，热烈欢迎大家的到来，然后玩的欢欢快快，吃的欢欢欣欣，享受的欢欢畅畅……，总之希望大家一切愉快，谢谢～

麦积山位于甘肃省天水市东南约45公里处，是我国秦岭山脉西端小陇山中的一座奇峰，山高只142米，但山的形状奇特，孤峰崛起，犹如麦垛，人们便称之为麦积山。山峰的西南面为悬崖峭壁，石窟就开凿在峭壁上，有的距山基二三十米，有的达七八十米。在如此陡峻的悬崖上开凿成百上千的洞窟和佛像，在我国的石窟中是罕见的。

麦积山周围风景秀丽，山峦上密布着翠柏苍松，野花茂草。攀上山顶，极目远望，四面全是郁郁葱葱的青山，只见千山万壑，重峦叠嶂，青松似海，云雾阵阵，远景近物交织在一起，构成了一幅美丽的图景，这图景被称为天水八景之首的“麦积烟雨”。在我国的著名石窟中，自然景色以麦积山为最佳。

篇10：甘肃麦积山导游词

尊敬的各位游客朋友：

大家好!

很高兴能与来自五湖四海的朋友们相聚在麦积山。我是本次旅行的导游小潘，希望我们一行游览快乐。

麦积山地处甘肃天水东南约50公里处，是我国秦岭山脉小陇山中的一座孤峰。景区总面积215平方公里，包括麦积山、仙人崖、石门、曲溪四大景区和街亭古镇。麦积山石窟属全国重点文物保护单位，也是闻名世界的艺术宝库。在悬崖峭壁上开凿成百上千的洞窟和佛像，难度之大，智慧之高，这在我国的石窟中是非常罕见的。下来，咱们就去看一看吧。

进了景区，大家现在看麦积山像什么呢?对，像一个麦垛。麦积山是典型的丹霞地貌，高80米，这里荟萃着后秦、西秦、北魏、西魏、北周、隋唐、五代、宋、元、明、清等十多个朝代的塑像7200余尊，壁画1300多平方米，分布在194个洞窟里，与敦煌莫高窟、大同云岗石窟、洛阳龙门石窟被誉为我国四大石窟。如果就艺术特色来分，敦煌侧重于绚丽的壁画，云岗、龙门著名于壮丽的石刻，而麦积山则以精美的塑像闻名于世。正如我国雕塑家刘开渠所赞美的：麦积山是“我国历代的一个大雕塑馆。”

大家步入栈道一定注意安全，不要拥挤。现在大家看到的是凭崖而凿的一组雕刻造像。中间一座佛，高达15米，左右两尊菩萨侍立，喜笑颜开，迎送来往游客。这也是麦积山最大的`佛像。现在大家看到的是最壮丽的4号窟上七佛阁。7间佛龛里有42尊菩萨塑像，神态庄严可亲，华美而不俗。

现在大家来到西崖石窟，这里以133号和127号石窟为最大。133号碑洞，是麦积山最特殊的一个洞窟。洞中不仅有许多泥塑作品，而且有18块石碑，有几块碑面密列贤动千佛小佛像，因此又称“万佛堂”。其中10号、11号、16号为众碑之精华。127号窟更为精彩，这座雕像，不要说在麦积山，就是在世界佛教艺术中，都是稀有珍品。

麦积山的主景区我们先观赏到这里，再次感谢大家对小潘工作的支持!欢迎大家再次光临甘肃、光临麦积山!

谢谢大家!

篇11：甘肃麦积山导游词

各位旅客朋友们：

大家好!

麦积山经过大规模的加固修整和栈道修复，摇摇欲坠的崖体已经稳定，山上栈道也宽阔整齐，安全可靠，昔日王仁裕笔下的险恶情景早已成为历史。人们可以放心大胆地登游各个崖阁，随心所欲地进入各个洞窟，感情奔放地远眺山下美景。

麦积山石窟，原是一个完整的山体，唐开元二十二年，天水一带发生地震，使崖面中间部分塌毁，整个窟群便分为东崖和西崖两部分。东崖现存洞窟54个，西崖140个。由于麦积山石质皆为紫褐色之水成子母岩，不宜精雕细镂，所以大多采用泥塑和绘画。麦积山塑像，主要题材有佛、菩萨、弟子、天王、力士等，尽管各代塑像同处一堂，但并不因袭模仿，而是保持着各自的时代特色，系统地反映了我国泥塑艺术的发展、演变过程。无论是高达15米的巨像，还是只有0.3米的小像，都给人以美感。苏联雕塑家尼·克林杜霍夫在参观麦积山塑像后，激动地说：“北魏和宋的雕塑在我看来是最引人入胜的。它们具有惊人的内心世界，极富表现力的构图和雄伟的形体。”麦积山塑像有数千身，这里只能指出几件较有代表性的杰作，起“窥一斑而知全豹”的作用。东崖造像，最壮丽的是4号窟上七佛阁。7间佛龛里有42尊菩萨塑像，神态庄严可亲，华美而不俗，充满着人间善良、慈祥和世俗的感情。各龛间都装饰着天龙八部的浮塑，面容狞怪而不丑恶，表现了男性的健美、威严、正直、勇猛、坚毅的性格。与上七佛阁紧接的5号窟，名曰“牛儿堂”。中间龛门前有一摩醯首罗天，站在一只卧着的犊牛身上。这个牛儿，塑造得相当动人：圆圆的眼，顽皮地注视前言，脚虽蟠曲着，却似乎要跃起的样子，松弛的`颈上垂着的皮，也象在动着。不仅身形姿态具备了牛的特征，最出色的是把一只犊牛所具有的稚气和活泼表现出来了，当地农人非常喜爱，称为“金蹄银角的牛娃”。在牛儿堂西端有一可容一人通过，长约10米的隧道，门顶刻有：“小有洞天”四个字。相传在明朝古历四月初八的一天，秦州有个州官，游麦积山庙会，一时兴起，想从七佛阁的摆渡铁链上，用鹞子翻身的纵跃姿势，游荡到牛儿堂去，居然成功了。可是当他站稳在牛儿堂，定睛向下观看，只见悬崖陡立，山谷人群如同蚂蚁，顿时头晕目眩，腿软抖战，再也不敢迈步了。众衙役只得火速请来一群石匠凿开了一个小洞，州官才从洞里爬了过来，至今当地还有“鹞子翻身，牛儿堂”的说法。

麦积山又名麦积崖，地处甘肃省天水市东南方50公里的麦积区麦积山乡南侧，是西秦岭山脉小陇山系的一座孤峰。麦积山石窟始创于十六国后秦(公元三八四年至四一七年)尔后屡有修葺扩建，至公元六世纪末的隋代基本建成，并完整保留至今。区内松竹丛生，山峦迭翠，周围群峰环抱，麦积一秀崛起，古称“秦地林朱之冠”，是中国秦岭山脉西端小陇山中的一座奇峰，海拔1742米，距天水火车站三十公里。麦积山山高142米，形状奇特，孤峰崛起，犹如麦垛，“麦积山者，北跨清渭，南渐两当，五百里岗峦，麦积处其半，崛起一块石，高百万寻，望之团团，如农家积麦之状，故有此名”，人们便称之为麦积山。山峰的西南面为悬崖峭壁，麦积山石窟就开凿在这峭壁上，有的距山基仅二十米，有的高达八十米。在如此陡峻的悬崖上开凿成百上千的洞窟和佛像，在中国石窟中是罕见的。

篇12：麦积山的导游词

各位团友大家好!很高兴能与来自五湖四海的朋友们相聚在我们麦积山。

篇13：麦积山石窟导游词

Facing the autumn wind, stepping on the grass. Our whole family went toTianshui for a tour. In this trip to Tianshui, the most impressive touristattraction is the famous “Maiji Mountain Grottoes”.

After more than four hours' journey, we arrived at Tianshui city. Afterstaying in the hotel and having lunch, we rushed to the first touristdestination, Maijishan grottoes.

“It's a coincidence that it was sunny just now, but now it's drizzling. Oh,how to play when it rains! ”I murmured. “You're wrong,” my father said. “Maijimisty rain is a wonderful sight in Maiji Mountain, which I can't touch.” afterhearing this, my eyes lit up and I was looking forward to seeing it earlier.

At the foot of Maiji Mountain, fresh air came. From a distance, themountain looks like a farmer's wheat pile. The fog formed by rain surrounds thetop of the mountain. The hazy scene brings a mysterious atmosphere, just like afairyland.

With the fresh air and the smell of grass, we walked to the Maijishangrottoes.

According to the guide, Maijishan grottoes were first excavated in the lateQin Dynasty of the Sixteen Kingdoms. After more than ten dynasties, they wereexcavated and rebuilt. It has a history of about 1600 years. It is one of thefour largest Grottoes in China. There are 194 caves with more than 7200 statuesof different sizes. They are divided into three categories: clay sculpture,stone sculpture and stone stele. Clay sculpture is the main one, and it is knownas “Oriental Sculpture Exhibition Hall”. Deep national tradition, distinctsecularization and strong interest in life are the prominent features ofMaijishan grottoes.

Listening to the guide's explanation, we reached the top of the mountainunconsciously. Looking at lifelike statues, I seem to see our ancestors on thissteep mountain, using their wisdom to create this magical statue. Some of themare carving, some are coloring, some are fixing In short, they are industriouseverywhere.

Among so many statues, I admire two. The first is the sculpture of the“three saints of the west” on the Shandong side. The amituo Buddha in the middleis 13 meters long, majestic and has both spirit and shape. The eyes made ofglass beads are bright and bright, and the folds on the clothes are meticulous.Because hair and other materials are added when mixing with mud, the Buddhastatue looks smooth and delicate, just like the real one. The second is called“Oriental smile”. His eyes are slightly closed, his mouth is up and his head isslightly down, showing the loveliness and implicitness of Oriental people. It'svery likable.

After the tour of Maiji Mountain, I feel very much that our ancestors,using their wisdom, diligence and perseverance, left such a proud cultural relicfor future generations. As the descendants of the dragon, we should carryforward the industrious, simple and persistent spirit of our ancestors to makeour motherland more prosperous.

篇14：麦积山石窟导游词

Hello, everyone! It's a pleasure to be here with friends from all over theworld.

first. On behalf of the travel agency, please allow me to express myheartfelt thanks and warm welcome to all of you. There is a saying that is wellsaid: looking back hundreds of times in the past life can only lead to a brushin this life. Maybe it's a fate to get together. Since we are destined, let'sget to know each other. Next to me is master Lin, the driver. He has richdriving experience and is escorted by him You can give us two hearts, one is“rest assured” to our escort ambassador, master Lin, and the other is “happy”.Please give it to me. I'm your guide this time You can call me Xiao Guo, Guo Daoand Xiao Dao, whatever you like!

In fact, tourism is a very happy thing. Travel doesn't have to care aboutits purpose. It only needs to care about the scenery along the way and the moodwhen seeing the scenery. So I hope the good mountains and good water in Lanzhoucan bring you a good mood. So during the whole journey, if you need any help,please feel free to come to me. I will try my best to serve you. At the sametime, I hope my work can be successful With your support and cooperation, I wishyou have a good time in Lanzhou! I hope this trip is just like my name. I warmlywelcome you to come, and then have fun, eat and enjoy In a word, I hope you havea good time. Thank you

Maiji Mountain is located about 45 kilometers southeast of Tianshui City,Gansu Province. It is a strange peak in Xiaolong mountain at the western end ofQinling Mountains in China. It is only 142 meters high, but the shape of themountain is peculiar. The isolated peak rises like a wheat pile, so people callit Maiji Mountain. To the southwest of the mountain is a precipice, on which thegrottoes are cut. Some of them are 20 or 30 meters away from the base of themountain, while others are 70 or 80 meters away. Hundreds of caves and Buddhastatues excavated on such a steep cliff are rare in China's grottoes.

The scenery around Maiji Mountain is beautiful. The mountains are denselycovered with cypresses, pines, wild flowers and grass. Climbing to the top ofthe mountain, you can see green hills all around you. You can see thousands ofmountains and valleys, mountains and peaks, pine trees like the sea, clouds andmist, and the distant scenery is intertwined, forming a beautiful picture. Thispicture is known as “Maiji misty rain” which is the first of the eight scenicspots in Tianshui. Among the famous Grottoes in China, Maiji Mountain is thebest natural scenery.

Maijishan Grottoes is a national key cultural relic protection unit. It wasbuilt in 384 ad. after more than ten dynasties of continuous excavation andrenovation, it has become one of the famous large-scale Grottoes in China and aworld-famous art treasure house. There are 194 caves, including more than 7200clay sculptures and stone carvings from the 4th century to the 19th century, andmore than 1300 square meters of murals. The Maijishan grottoes are located in anextremely dangerous position. Most of them are built on cliffs. All the grottoesare accessible by the aerial trestle road erected on the cliff surface. Visitorscan't help but thrill when they climb these winding trestle roads. The ancientsonce praised these projects: “between the cliffs, carved stone into Buddha,thousands of niches and caves.”. Broken from the human force, suspected to be amiracle. “ There is also a saying among the people nearby that ”after cuttingthe firewood in Nanshan Mountain, build the Maiji cliff“ and ”first there is tenthousand Zhang firewood, then there is Maiji cliff“. It can be seen that theconstruction of the trestle road was arduous and grand.

Maijishan Grottoes art is famous for its exquisite clay sculpture art athome and abroad. Historian Fan Wenlan once praised Maijishan as ”a largeexhibition hall for displaying statues“. If Dunhuang is a large mural Museum,Maiji Mountain is a large sculpture museum. The statues here are more than 15meters high and only 20 centimeters small, reflecting the characteristics ofstatues of different ages in the past thousand years and systematicallyreflecting the development and evolution of clay sculpture art in China. Theclay sculptures here can be roughly divided into four types: high floatingsculptures protruding from the wall, round sculptures completely away from thewall, moulded shadow sculptures and wall sculptures pasted on the wall. Amongthem, thousands of life size round sculptures are regarded as treasures becausethey are full of life interest.

The statue of Maijishan has two obvious characteristics: strong nationalconsciousness and secularization. Except for the early works, from the NorthernWei Dynasty, almost all of the Buddha statues have the posture of looking down,with amiable faces. Although they are gods in heaven, they are like secularpeople, becoming the embodiment of people's good wishes. From the shape andclothing of the statue, it is gradually getting rid of the influence of foreignart, reflecting the characteristics of the Han nationality.

Many caves in Maiji Mountain have been built into a unique ”cliffPavilion“. The seven Buddha Pavilion, 15 meters above the head of the clayBuddha on Dongya, is a typical Han style cliff Pavilion in China. It was builton a cliff 50 meters above the ground and was excavated in the middle of the 6thcentury. Although Maijishan grottoes are mainly clay sculptures, there are alsoa certain number of stone carvings and murals. Maijishan Grottoes have beenlisted as a key cultural relic protection unit of the state. More than 1300meters of elevated plank road have been newly erected and restored, so thatvisitors can successfully access all the grottoes. The largest statue inMaijishan Grottoes is 16 meters, and the smallest one is only more than 10centimeters. The statue in cave 44 is called ”Venus of the East“ by theJapanese. The clothes of the statues in caves 78 and 128 of the Western QinDynasty are carefully painted. The statues on the seven Buddha Pavilion, whichis more than 70 meters high, are beautiful. The frescoes on the top of thecorridor are exquisite. The pictures of cars, horses and pedestrians on the topof the west end are not the same no matter from which point of view, which canbe called the classic composition of frescoes in China.

篇15：麦积山石窟导游词

Maiji Mountain scenic spot is located in the eastern part of the NorthBranch of the western Qinling Mountains, with a total area of 215 squarekilometers, including Maiji Mountain, Xianren cliff, Shimen, Quxi four scenicspots and Jieting ancient town. Among them, Maijishan grottoes are the mostfamous. Maiji Mountain is a typical Danxia landform. It is named for its shapelike a farmer's wheat pile. The cliff rises from the ground, 80 meters high. Themountain is steep, surrounded by green trees and a quiet environment. At the endof the Western Han Dynasty, Maiji Mountain had become the summer palace offamous Tianshui general kaixiao. After the Qin Dynasty (384-420__ A.D.), theconstruction of grottoes began. After more than 1500 years of excavation andreconstruction in the Northern Wei, Western Wei, Northern Zhou, Sui, Tang, FiveDynasties, song, yuan, Ming and Qing Dynasties, it has become one of the famouslarge-scale Grottoes in China.

Maijishan Grottoes have 194 caves, more than 7200 clay sculptures and stonesculptures, and more than 1300 square meters of murals. They are especially goodat clay sculpture art and are known as ”Oriental Sculpture Art Museum“.Maijishan Grottoes is one of the most beautiful caves and temples in China. Itis famous for its seven Buddha Pavilion, ten thousand Buddha cave, niuertang andJiling. The clay sculpture is vivid in form and has both spirit and form. Thecontent of the clay sculpture has a thorough secular and strong interest inlife. The technique of plastic painting is to lay emphasis on color instead ofcolor. There is a botanical garden in Maiji Mountain scenic area.

Maijishan Grottoes is one of the four famous Grottoes in China. In 1961, itwas announced by the State Council as the first batch of national key culturalrelics protection units. Together with xianrenya, Shimen, Quxi and Jieting hotsprings, they were announced as the first batch of key scenic spots by the StateCouncil in 1982.

篇16：麦积山石窟导游词

Dear tourists

hello everyone!

I'm very glad to be here with friends from all over the world. I'm pan, thetour guide of this trip. I hope we can have a good time.

Maiji Mountain, about 50 kilometers southeast of Tianshui, Gansu Province,is an isolated peak in Xiaolong mountain of Qinling Mountains in China. Thetotal area of the scenic spot is 215 square kilometers, including MaijiMountain, Xianren cliff, Shimen, Quxi four scenic spots and Jieting ancienttown. Maijishan Grottoes is a national key cultural relic protection unit and aworld-famous art treasure house. The difficulty and wisdom of digging hundredsof caves and Buddha statues on the cliff is very rare in China's grottoes. Comedown, let's go and have a look.

After entering the scenic area, what does Maiji Mountain look like now?Yes, it looks like a wheat stack. Maiji Mountain is a typical Danxia landformwith a height of 80 meters. There are more than 7200 statues and murals frommore than ten dynasties, including the later Qin Dynasty, the Western QinDynasty, the Northern Wei Dynasty, the Western Wei Dynasty, the Northern ZhouDynasty, the Sui and Tang Dynasties, the Five Dynasties, the Song Dynasty, theYuan Dynasty, the Ming Dynasty and the Qing Dynasty. They are distributed in 194caves with an area of more than 1300 square meters. They are known as the fourmajor caves in China, together with Dunhuang Mogao Grottoes, Datong YungangGrottoes and Luoyang Longmen Grottoes. In terms of artistic features, Dunhuangfocuses on gorgeous murals, Yungang and Longmen are famous for their magnificentstone carvings, while Maiji Mountain is famous for its exquisite statues. As oursculptor Liu Kaiqu praised: Maijishan is ”a large sculpture museum in Chinesehistory.“

When you step into the plank road, you must pay attention to safety. Nowyou can see a group of carved statues chiseled by the cliff. There is a Buddhain the middle, which is 15 meters high. There are two Bodhisattvas standing infront of them, smiling and welcoming the tourists. This is also the largestBuddha statue in Maiji Mountain. Now what you can see is the most magnificentseven Buddha Pavilion in Cave 4. There are 42 statues of Bodhisattvas in theseven niches, which are solemn and amiable, gorgeous and not vulgar.

Now you come to Xiya grottoes, the largest of which are caves 133 and 127.No.133 stele cave is the most special cave in Maiji Mountain. In the cave, thereare not only many clay sculptures, but also 18 stone tablets, some of which arecovered with thousands of Buddha statues, so they are also called ”ten thousandBuddha Hall“. Among them, No. 10, No. 11 and No. 16 are the essence of numeroustablets. Cave 127 is even more wonderful. This statue, not to mention MaijiMountain, is a rare treasure in the world Buddhist art.

Let's enjoy the main scenic area of Maiji Mountain first. Thank you againfor your support for Xiaopan's work! Welcome to Gansu and Maiji Mountainagain!

Thank you!

篇17：麦积山石窟导游词

Maijishan, located in the south of Maijishan Township, Beidao District, 50kilometers southeast of Tianshui City, is an isolated peak in Xiaolong mountainof West Qinling Mountains. Maijishan Scenic area covers a total area of 215square kilometers, including Maijishan, xianrenya, Shimen, Quxi and Jietingancient town. Maijishan Grottoes is one of the four largest Grottoes in China,and the other three grottoes are: Dunhuang Mogao Grottoes, Longmen Grottoes andYungang Grottoes. Maijishan Grottoes is a national key cultural relic protectionunit and a world-famous art treasure house.

Maiji Mountain is a typical Danxia landform. It is named for its shape likea farmer's wheat pile. The cliff rises from the ground, 80 meters high. Themountain is steep, surrounded by green trees and a quiet environment. At the endof the Western Han Dynasty, Maiji Mountain had become the summer palace offamous Tianshui general kaixiao. There are more than 7200 statues and murals ofmore than 1300 square meters, which are distributed in 194 caves, similar toDunhuang Mogao Grottoes and Da'an grottoes Like Yungang Grottoes and LuoyangLongmen Grottoes, they have precious art treasures. In terms of artisticfeatures, Dunhuang focuses on gorgeous murals, Yungang and Longmen are famousfor their magnificent stone carvings, while Maiji Mountain is famous for itsexquisite statues. As our sculptor Liu Kaiqu praised: Maijishan is ”a largesculpture museum in Chinese history.“

Maiji Mountain has a long history and enjoyed a high reputation as early as1620 x years ago. In Yutang gossip written by the Five Dynasties, it is saidthat ”Maiji Mountain people, crossing the Qingwei River in the north, graduallybecoming two dangs in the south, with five hundred Li hills and hills. Maiji isin the middle of the mountain. A stone rises up and looks up to a hundred Zhanghigh. It looks like a group of people accumulating wheat, so it has this name.“.Du Fu wrote a poem praising: ”there are few remnant monks in the wild temples.The mountains are round and the roads are high. Musk sleeps carnation, parrotpecks golden peach. Stones pass through, Cliff House prison, the top heavyPavilion night, a hundred miles to see qiuhao Maijishan grottoes were built withthe smooth development of the Silk Road from the post Qin period. According tothe biography of eminent monk Liang, during the Yongchu period of the SouthernSong Dynasty, the eminent monk Tan hongchan lived in Maiji Mountain. Soon after,the famous monk xuangao arrived, and they lived together in temples, often withmore than 300 apprentices. In the Western Wei Dynasty, Yifu, the original Queenof Emperor Wen of Wei Dynasty, died here and “chiseled Maiji cliff and buried itas a niche.” In the years of Baoding and Tianhe in the Northern Zhou Dynasty, LiYunxin, the governor of Qinzhou, built seven Buddha pavilions for his deadfather. He once asked Geng Xin to write a preface to the inscription of maijiyaBuddha niche in Tianshui County of Qinzhou for him. In the fourth year ofRenshou, Emperor Wen of Sui Dynasty, the envoys of Qinzhou built a9.4-meter-high seven level pagoda on the top of Maiji Mountain, which is said tobe one of the 84000 pagodas of Asoka. So far, the pagoda is still standing onthe top of the mountain, but it only has five levels and has been rebuilt inrecent years.

When people enter the Maiji Mountain scenic spot, the first thing they seeis a group of sculptures carved on the cliff. There is a Buddha in the middle,which is 15 meters high. There are two Bodhisattvas standing in front of them,smiling and welcoming the tourists. When you walk to the front of the mountainand look up, you can see that the niches and caves are as dense as the peakrooms, and the eaves are built according to the caves. The trestle ladder isbuilt on the cliff, and the shallow niche and deep cave are dug on the cliff.The construction is superb and magnificent, and the project is extremelydangerous and magnificent. Although tourists and poets of all ages have beengreatly admired, few of them dare to climb to the top. Wang Renyu, a poet ofFive Dynasties, bravely climbed the cliff before he wrote: “climb the cliff andclimb the stairs, and you can be with the white clouds at leisure; the hills aresmall in front of the eaves, and the sun is low on the hall; the dangerouspeople are few on the top Road, and the ancient rock pines and cranes frequentlyinhabit; in order to leave a name on the edge of the sky, you should brush thestone and ask yourself.” My personal sense of life. However, after large-scalereinforcement and repair of the plank road, the crumbling cliff has beenstabilized, and the plank road on the mountain is wide and tidy, safe andreliable. The dangerous scene in Wang Renyu's works has long been history.People can safely and boldly visit each cliff Pavilion, enter each cave at will,and enjoy the beautiful scenery at the foot of the mountain with unrestrainedfeelings.

Maiji Mountain is 142 meters high. Most of the grottoes are cut in the airon 20 to 70 meters high cliffs. There are cliff pavilions, Mogao Grottoes, cliffniches, mountain buildings and corridors. The caves are shaped like herringboneroof, square collapse roof, arched lintel, dome, square lintel flat roof, squarelintel covered caisson, square flat roof, small circular niche and Yu top. Thesedifferent types of cave niches and cliff pavilions are the material materialsfor studying the cultural exchange between China and the West and the evolutionand development of architectural structure. According to records, when thegrottoes were excavated in those years, timber was piled up from the bottom tothe top, and then construction was carried out. One layer was built, and theother layer was demolished until the foot of the mountain. According to legend,when Li Yunxin built the seven Buddha Pavilion for his dead father, he used400000 people. Until now, there are still local ballads: “after cutting Nanshanfirewood, build Maiji cliff”, “first there is wanzhang firewood, then there isMaiji cliff”. Even the first American tourists praised the Maijishan Grottoes as“one of the seven major projects in the world” in the 1947 peace daily.

Maijishan Grottoes used to be a complete mountain. In the 22nd year ofKaiyuan of Tang Dynasty, a strong earthquake occurred in Tianshui area, whichdestroyed the middle part of the cliff. The whole grottoes were divided into twoparts: East Cliff and West Cliff. There are 54 caves in Dongya and 140 caves inXiya. Because Maijishan stone is purple brown hydrous parent rock, it is notsuitable for fine carving, so most of them use clay sculpture and painting. Themain themes of Maijishan statues are Buddha, Bodhisattva, disciple, king ofheaven, and strongman. Although the statues of different generations are in thesame hall, they do not follow and imitate, but maintain their owncharacteristics of the times, and systematically reflect the development andevolution of clay sculpture art in China. Whether it's a giant statue as high as15 meters or a small statue as small as 0.3 meters, it gives people a sense ofbeauty. After visiting the Maijishan statue, Soviet sculptor Ni klinduhov saidexcitedly: “the sculptures of the Northern Wei Dynasty and Song Dynasty are themost fascinating to me. They have amazing inner world, expressive compositionand majestic shape. ”

There are thousands of Maijishan statues. Here, only a few representativemasterpieces can be pointed out, which play the role of “seeing a spot andknowing the whole leopard”. The most magnificent statue on Dongya is the sevenBuddha Pavilion in Cave 4. There are 42 statues of Bodhisattvas in the sevenniches. They are dignified, amiable, gorgeous, and full of human kindness,kindness, and secular feelings. All the niches are decorated with floatingsculptures of the eight divisions of the Heavenly Dragon. Their faces arehideous but not ugly. They show men's body-building, dignity, integrity, braveryand perseverance. Cave 5, next to the upper seven Buddha Pavilion, is calledNiuer hall. In front of the door of the middle niche, there is a Buddha standingon a lying calf. This ox is very moving: round eyes, looking at the prefaceplayfully, feet curling, but it seems to jump up, and the skin hanging from theloose neck, also seems to be moving. Not only does the body shape and posturehave the characteristics of a cow, but the most outstanding thing is to show thechildishness and liveliness of a calf, which is very popular among localfarmers, and is called “niuwa with golden hooves and silver horns”. At the westend of niuertang, there is a 10 meter long tunnel which can accommodate oneperson. On the top of the tunnel, there are four words: “little cave”. It issaid that on the eighth day of the fourth month of the Ming Dynasty, a stateofficial in Qinzhou visited Maiji Mountain Temple Fair. On the spur of themoment, he wanted to wander from the ferry chain of the seven Buddha Pavilion toNiuer hall with the posture of turning over with a kite. But when he stoodfirmly in Niuer hall and looked down, he saw that the cliff was steep and thepeople in the valley were like ants. Suddenly, he felt dizzy, his legs were softand trembling, and he did not dare to step any more. The Yamen servants had toinvite a group of stonemasons to dig a small hole. Only then did the stateofficial climb over from the hole. Up to now, there is still a saying that “thekite turns over and the cow hall” in the local area.

Among the caves in Xiya, caves 133 and 127 are the largest. No.133 stelecave is the most special cave in Maiji Mountain. In the cave, there are not onlymany clay sculptures, but also 18 stone tablets, some of which are covered withthousands of Buddha statues, so they are also called “ten thousand Buddha Hall”.Among them, No. 10, No. 11 and No. 16 are the essence of numerous tablets. Cave127 is even more splendid. Most of the murals on the four walls and caisson arepreserved. The style of the later Wei Dynasty is elegant and vertical. Draw apicture of Buddha's sayings in Chinese, and listen to it by thousands of riders.There are 12 tigers in Western painting, which have different shapes and can becalled excellent. In particular, a stone Buddha in the niche is the mostwonderful. In the back light of the stone Buddha, there are 12 instrumentsplaying in the upper part. There are eight flying Apsaras in the lower part.There are two waiters on the left and right, small but with different manners.In the scroll lotus, there is also a small Buddha head. Sitting in the middle ofthe Buddha, raising the palm to sit, showing the kindness and joy of the saying.This statue, not to mention in Maiji Mountain, is a rare treasure in the worldBuddhist art.

There are also several attractive scenic spots around Maiji Mountain. Forexample, the Diao Chao Valley under the three fan cliff of the back cliff ofMaiji Mountain is a refuge palace in Tianshui at the end of the Western HanDynasty. At that time, the summer palace was dotted with pavilions andpavilions, connected with winding corridors, green glazed tiles, red walls andgolden dragons, three eaves and four clusters of carved phoenixes, flowershadows, green bamboo dancing, silver pearls splashing. With the passage oftime, the resplendent Summer Palace has long been extinct. Only the waterfall,ancient cypress and pine, rocks and strange rocks, flowers and herbs, rare birdsand animals about 40 meters high under the three cliffs still exist, making up acharming natural landscape.

In 1982, Maiji Mountain, in the name of Maiji Mountain scenic spot in GansuProvince, was approved by the State Council as one of the first batch ofnational scenic spots.

Grotto culture

Maijishan Grottoes retain a large number of religious, artistic andarchitectural materials, which enrich the ancient Chinese cultural history.

1、 Religion

It mainly reflects three Buddhas, seven Buddhas, Western Pure Land and soon. It is an important form of Buddhist literature to reflect the story ofBuddha's birth and biography from frescoes and carved stone tablets, such as?Tzu's birth, Prince sakuna's sacrifice to feed the tiger, Nirvana and so on.Through the sculpture of Buddha, Bodhisattva and flying Apsaras, it reflects thespiritual enlightenment of Buddhism to the real world.

2、 Art

It truly reflects the artists' infinite yearning and aesthetic orientationfor a better life at that time. The statues of the Northern Wei Dynasty arebeautiful and handsome, with a wise smile, implying contempt for the reality ofterror, oblivion of the honor and disgrace of life and detachment from thesecular world; the statues of the Western Wei Dynasty and the Northern ZhouDynasty are gentle and honest, indulging in the pursuit of real life andyearning for the Buddhist world; the statues of the Sui and Tang Dynasties areabundant

It is full of delicacy; the clothing patterns of the statues in the SongDynasty are realistic and solemn. Maijishan art is good at clay sculpture. Theartists abandoned the previous meticulous details, and raised the appeal to theheight of commanding everything, with a moving look and a rich flavor of life.From the statues of different times in Maiji Mountain, we can see that theartists at that time broke through the Buddhist rules and regulations, andcreated religious figures with rich flavor of life, such as Buddha, Bodhisattva,disciple, and supporter, by taking real life figures as the main material andexaggerating, imagining, summarizing and refining the art. The Buddhistswhispering in cave 121 and the virgins and virgins in cave 123 show not thepiety of the ascetics, but the childish sincerity and pleasure under theinfluence of the ideological trend of the times. Therefore, influenced by thelocal social environment, Maijishan statues show the local people and feelings,make the Buddhist statues seem to be familiar in life, and make people feel theamiability and loveliness of the Buddhist world, so as to be faithful.

Maijishan Grottoes used to be “with niches are all Buddhas, no walls do notfly”, but because of the rainy and humid, most of the murals peeled off, butstill retain the Western Pure Land Change, Nirvana change, hell change andBensheng stories of the Northern Dynasty, such as? Tzu Bensheng, sajina Princesacrificing his life to feed the tiger, and so on. The cities, temples, cars andclothes depicted in the murals have the characteristics of Han culture,reflecting the reality of this period life. Feitian, in particular, is morecolorful and distinctive, with clay sculpture, sculpture, painting and thin meatsculpture. Although the hometown of Feitian is in India, the Feitian in MaijiMountain is the artistic crystallization of Chinese and foreign cultures, and isthe fusion of Indian Buddhist heaven and Chinese Taoist immortals. She has nowings and no feathers. She is a beautiful girl flying in the air with the helpof clouds instead of clouds. She is the most talented masterpiece of ancientChinese artists. At the same time, dance and musical instruments are alsoreflected in murals and sculptures, which provides valuable information for thestudy of ancient Chinese music.

3、 Architectural art

Maijishan grottoes are built on the precipice. The grottoes are as dense asbeehives, and the trestle road is as high as flying in the air. They are stackedlayer upon layer. Their precipitousness is rare in the world, forming amagnificent three-dimensional architectural complex. Its wooden hall style stonecliff Pavilion is unique and magnificent. Most of the caves are of Buddhisttemple style without central pillar, with obvious local characteristics.

Maijishan Grottoes in the most magnificent, the most magnificent buildingis the fourth cave on the seven niches, also known as the “sanhualou”, locatedabove the Dongya Buddha, about 80 meters above the ground, for seven eightcolumn veranda structure, about 9 meters high, 30 meters wide, eight metersdeep, divided into two parts of the front gallery and back room. The column is abig column with eight edges, covered with lotus petal shaped column base, andall the building components are exquisitely carved, which reflects the maturityof the construction technology in the Northern Zhou Dynasty. The back room ismade up of seven four corner bunchy tent shaped niches. The curtain isoverlapped layer by layer. The columns, beams and other building components inthe niches are shown in relief. Therefore, the fourth cave of Maiji Mountain isthe largest cave in China, which imitates the traditional Chinese architecture.It is an important material to study the wooden architecture of the NorthernDynasties. It truly shows the external and internal features of the Buddhisthall which has been sinicized in the late Northern and Southern Dynasties. It isof great significance in the development history of the grottoes. Cave 121:

position:

The upper west end of Xiya.

Time:

In the late Northern Wei Dynasty, it was rebuilt in Song Dynasty.

Cave shape:

Fu Dou Caijing square cave. The cave is 2.55 meters high, 2.36 meters wideand 2.15 meters deep.

Statues:

Each of the three niches has a Buddha. Inside the niche, two men ofstrength are moulded on both sides of the middle door on the left and rightwalls. The upper part of the Buddha was remodeled in the Song Dynasty. The lowerpart of the Buddha's body was draped in three petals in front of the seat. Thefirst part of the Buddha sat down on the square platform. The disciples worecassock and skirt. Left disciple tower spiral bun. Bodhisattvas wear broadribbon cassock. The Bodhisattva and his disciples are closely related. With asmile on their face, they clap their hands in front of their chest. It seemsthat they are whispering and talking with each other. They are just like a pairof brothers and sisters in real life. They are full of youthful vitality andmoving emotions, making people feel natural and kind. The head of Lishi wasrebuilt in Song Dynasty. Zuo Lishi was wearing a skirt, a scarf round andcrossed on his abdomen, a Vajra pole in his left hand, a wind belt in his righthand, a wide sleeve jacket in his right hand, a long skirt and a vertical hand.He was wearing body armor. He was strong and powerful, with a kind of aweinspiring spirit. This cave is one of the most important representative caves inthe late Northern Wei Dynasty.

Murals: Buddha, Bodhisattva painted backlight, Xiang Guang. Most of themurals in the caisson are exfoliated and blackened by smoke. Only the flyingribbon is faintly visible.

篇18：甘肃麦积山导游词

尊敬的小组成员:

大家好！

很高兴在麦基山见到来自世界各地的朋友。请允许我代表旅行社向您表示衷心的感谢和热烈的欢迎！有句话说得好:上辈子回望几百遍，只为今生路过一次。也许相遇是一种缘分。既然是命中注定，那就互相了解吧。我旁边的司机是妙林法师，他有丰富的驾驶经验。在他的陪同下，每个人都可以给我们两颗心，一颗是“放心”给我们的陪同大使妙林法师，另一颗是“开心”给我。这次我是你的导游...，你可以叫我郭果，郭导，小导，随便你！

其实旅游是一件很幸福的事。都说旅行不需要在乎目的，只在乎沿途的风景和看风景时的心情。所以，希望兰州的好山好水给你带来好心情。如果您在整个旅程中需要任何帮助，请随时来找我，我会尽力为您服务。同时也希望我的工作能得到大家的支持与合作。祝大家在兰州过得愉快！我希望这次旅行就像我的名字一样，热烈欢迎大家来，然后玩得开心，吃得开心，玩得开心……总之，我希望大家玩得开心，谢谢~

麦基山位于甘肃省天水市东南约45公里处，是中国秦岭西端小陇山中的一座奇峰。这座山只有142米高，但它的形状很奇特，孤峰像干草堆一样升起，所以人们称它为麦基山。山峰西南面有悬崖，悬崖上挖有石窟，有的离山基20-30米，有的70-80米。在中国如此陡峭的悬崖上挖掘数百个洞穴和佛像是罕见的。

麦基山四周风景优美，有柏树、松树和野花。爬到山顶，放眼望去，四周青山葱郁，只能看到前山的山川峡谷，松柏如海，云朵绽开，远眺与物象交织，构成了一幅美丽的画面。这张图叫“麦烟雨”，是天水八景之首。在中国著名的'石窟中，麦基山是最好的自然景观。

麦积山石窟是国家重点文物保护单位，建于公元384年。经过十几个朝代的不断发掘和重建，它成为中国著名的大型石窟之一和世界闻名的艺术宝库。现存洞穴194个，包括4世纪至19世纪的7200多件泥塑和石雕，壁画1300多平方米。麦积山石窟的一个显著特点是洞穴位于令人叹为观止的位置，大部分是在悬崖上挖掘的，可以通过竖立在悬崖上的凌空栈道进入洞穴。游客们不禁为爬上这些蜿蜒曲折的栈道而激动不已。古人曾盛赞这些项目:“悬崖峭壁之间，石刻成佛，佛龛千窟。断于人力，疑是魔。”附近的人也有一种说法，“南山砍柴后，筑麦收崖”，“麦收崖前有千柴”。可见当时挖洞筑栈道的工程是艰巨而宏大的。

麦积山石窟艺术以其精美的泥塑艺术闻名于国内外。历史学家范文澜曾称赞麦积山是“一个展示雕像的大展厅”。如果说敦煌是一个大型壁画博物馆，那么麦基山就是一个大型雕塑博物馆。这里的雕像，大至15米，小至20厘米，反映了几千年来不同时代雕像的特点，系统地反映了中国泥塑艺术的发展和演变。这里的泥塑大致可以分为四种:从墙面凸出的高浮塑料、完全离开墙面的圆形塑料、贴在墙面上的模压阴影塑料和墙面塑料。其中数以千计真人大小的圆形雕塑被视为珍宝，在生活中非常有趣。

麦积山雕像有两个明显的特点:强烈的民族意识和世俗化趋势。除了早期的作品，从北魏的佛像来看，几乎所有的佛像都是俯首帖耳，面容和蔼可亲。他们虽然是天上的神，却和世俗的人一样，成为人们美好愿望的化身。从雕像的造型和服装来看，它正在逐渐摆脱外来艺术的影响，体现汉族的特点。

麦基山的许多洞穴被建造成独特的“悬崖亭”。七佛亭位于东亚泥塑佛像上方15米高，是中国典型的中式悬崖亭建筑。它建在离地面50多米的悬崖上，挖掘于公元6世纪中叶。麦积山石窟虽然以泥塑为主，但也有一定数量的石雕和壁画。麦积山石窟被列为国家重点文物保护单位，新建和修复了1300多米的凌空栈道，使游客能够顺利登上所有洞穴。麦积山石窟最高的雕像是16米，最小的只有10厘米。其中44号洞的雕像被日本人称之为“东方金星”。西秦78窟和128窟造像的僧衣精心绘制了图案。建于70多米高的七佛亭上的雕像很美，过道顶部其余的壁画也很精美。其中西端顶端的车马图，从任何角度看车马方向都不一样，堪称中国壁画构图的经典之作。

篇19：甘肃麦积山导游词

麦基山风景区位于西秦岭北支的东部，总面积215平方公里，包括麦基山、任贤崖、石门、曲溪、街亭古镇。其中，麦积山石窟最为著名。麦基山是典型的丹霞地貌，因其形状如农家麦垛而得名，悬崖从地面升起，高80米，山陡峭，四周树木环绕，环境宁静。西汉末年，麦积山成为天水著名的肖伟的颐和园。十六国至秦朝(公元384-4)期间，先开凿石窟，后在北魏、西魏、北周、隋、唐、五代、宋、元、明、清1500多年间开凿改建，成为我国著名的大型石窟之一。

麦积山石窟有194个洞穴，7200多尊泥塑和石雕，1300多平方米的壁画，尤其是泥塑艺术，被称为“东方雕塑艺术博物馆”。麦积山石窟是中国最美丽的石窟和寺庙之一，其中七佛亭、万佛洞、牛二堂和吉岭最为著名。泥塑形式生动，形神兼备，体现的内容是彻底的世俗化，对生活有着浓厚的兴趣。塑料画技法是不讲究色彩的，特点很明显。麦基山风景区有一个植物园可以参观。

中国四大石窟之一的麦积山石窟，1961年被国务院公布为第一批国家重点文物保护单位。与仙人崖、石门、曲溪、街亭温泉一起，于1982年被国务院公布为首批重点风景名胜区。

篇20：甘肃麦积山导游词

迎着秋风，踩着草。我家去天水旅游。在这次天水之旅中，著名的麦积山石窟给我留下的印象最深。

经过四个多小时的旅程，我们到达了天水市。在一家酒店住下，吃过午饭后，我们赶往第一个旅游目的地——麦积山石窟。

“真巧，刚才还是晴天，现在却下着毛毛雨。哎，下雨怎么玩！”我低声抱怨。“你错了，”爸爸说。““麦烟雨”是麦基山的一大奇观，一般人是摸不到的！”我一听，眼前一亮，期待早日看到这个“奇迹”。

在麦基山脚下，新鲜空气扑鼻而来。从远处看，这座山就像一个农场的小麦垛，雨水形成的雾气环绕着山顶。朦胧的场景带来神秘的气息，宛如仙境。

呼吸着新鲜的空气，闻着青草的香味，我们走在麦积山石窟下。

据导游介绍，麦积山石窟始建于十六国，后为秦朝，历经十多个朝代重建，距今已有1600年左右的历史。它是中国四大石窟之一。洞内有194个洞，大小雕像7200多尊，分为泥塑、石雕、石雕碑三种类型。泥塑为主，被誉为“东方雕塑展览馆”。麦积山石窟的显著特征是深厚的民族传统、鲜明的世俗化和浓厚的生活情趣。

听了导游的讲解，我们不知不觉就到了山顶。看着栩栩如生的雕像，我仿佛看到了我们的祖先在这座陡峭的山上，用他们的智慧创造出这些神奇的雕像。有些是雕刻，有些是着色，有些是固定的..简而言之，他们在任何地方都很努力。

在这么多雕像中，有两件事让我感到惊讶。首先是山东这边的“西三圣”雕塑。中间的阿弥陀佛长13米，雄伟壮观，神形兼备。琉璃珠做的眼睛明亮，衣服上的褶皱细致，因为掺泥的时候加了头发等材料，使佛像看起来光滑细腻，就像真的一样。然后就是那个叫“东方微笑”的小沙弥。他的眼睛微闭，嘴巴上翘，头微低，表现出东方人特有的可爱和含蓄。很讨人喜欢。

参观完麦基山后，我的心充满了情感。我们的祖先用他们的智慧、勤奋和毅力，为后人留下了这样值得骄傲的文物。作为龙的传人，我们要发扬祖先勤劳、朴实、执着的精神，让我们的祖国更加繁荣昌盛，生生不息。

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