英语专业八级模拟试题二在线练习2（精选8篇）由网友“阿哲哲”投稿提供，以下是小编为大家准备的英语专业八级模拟试题二在线练习2，欢迎大家前来参阅。
篇1：英语专业八级模拟试题二在线练习2
英语专业八级模拟试题二在线练习2
The following passage contains ten errors .Each line contains a maximum of one error. In each case only one word is involved. You should proofread the passage and correct it in the following way:
For a wrong word: underline the wrong word and write the correct one in the blank provided at the end of the line.
For a missing word: mark the position of the missing word with a “^” sign and write the word you believe to be missing in the blank provided at the end of the line.
For an unnecessary word: cross the unnecessary word with a slash “/” and put the word in the blank provided at the end of the line.
One important outcome of the work on the expression of genes in developing embryos is sure to be knowledge that can help preventing birth defects. Just as promising
(26)
is the possibility of unraveling the complicated writing
(27)
of the brain. A mechanic gets valuable insight how an
(28)
automobile works by rebuilding car engines; similarly,
neuroscientists can learn how the brain functions from
(29)
the way it is put together. The next step pursuing the
(30)
goal is to find out how the blueprint genes, the home box
genes, control the expression of other genes that create the
valves and piston of the working cerebral engine. The
protein encoded by the latter genes could change the
(31)
stickiness of the cell surface, the shape of the cell or its
metabolism to create the characteristic peculiar to, say,
neurons or neural-crest cell. Surface proteins may be the
(32)
mechanism, whereby similar programmed cells stick
together to form specific structures; they might also sense
(33)
the local environment to help the cell decide what is to do.
Clarifying those mechanisms will engage the best talents in
(34)
embryology and molecular biology for some times to come.
(35)
What is perhaps the most intriguing question of all is if
篇2：在线练习：英语专业八级模拟试题
在线练习：英语专业八级模拟试题
TEXT F
First read the question. 27. The message of the passage is that shares can now be sold ______ A. through the computer. B. in the shop. C. at the bank. D. through the mail. Now, go through the text quickly and answer the question. Investors seeking a cheap, no-frills way to sell privatisation shares need look no further than the post box.
Most stockbrokers offer bargain-basement deals on postal trades. They are ideal for selling a small holding for the lowest possible commission. But the arrangements leave investors at the mercy of the Royal Mail and a seller will not know in advance how much a sale will produce. Data processing engineer Mark Stanistreet of Bradford sold by post after buying a few National Power and PowerGen shares when they were privatised. He says: “I didnt really know where to go to for help.
An information slip with the shares gave details of Yorkshire Building Societys share shop service, which offered to sell for a flat fee of ?. ”It was an ideal first step that showed me how easy and cheap it is to sell shares. I have been investing in a small way since then. “I use Yorkshires telephone service, which has a ? minimum fee.” Many stock brokers offer postal deals as part of their usual dealing services, but clients may normally sell only big company or privatisation shares this way. ShareLinks minimum postal commission is 7.50, Skipton Building Societys is 9 and Nat Wests is 9.95.
27. The message of the passage is that shares can now be sold ______
A) through the computer.
B) in the shop.
C) at the bank.
D) through the mail.
篇3：英语专业八级模拟试题一在线练习2
英语专业八级模拟试题一在线练习2
In this section there are four reading passages followed by a total of fifteen multiple-choice questions. Read the passages carefully and then write your answers on the space given. TEXT A
A magazines design is more than decoration, more than simple packaging. It expresses the magazines very character. The Atlantic Monthly has long attempted to provide a design environment in which two disparate traditions -- literary and journalistic -- can co-exist in pleasurable dignity. The redesign that we introduce with this issue -- the work of our art director, Judy Garlan -- represents, we think, a notable enhancement of that environment. Garlan explains some of what was in her mind as she began to create the new design:“ I saw this as an opportunity to bring the look closer to matching the elegance and power of the writing which the magazine is known for. The overall design has to be able to encompass a great diversity of styles and subjects -- urgent pieces of reporting, serious essays, lighter pieces, lifestyle-oriented pieces, short stories, poetry. We dont want lighter pieces to seem too heavy, and we dont want heavier pieces to seem too pretty.
We also use a broad range of art and photography, and the design has to work well with that, too. At the same time, the magazine needs to have a consistent feel, needs to underscore the sense that everything in it is part of one Atlantic world. The primary typefaces Garlan chose for this task are Times Roman, for a more readable body type, and Bauer Bodoni, for a more stylish and flexible display type (article titles, large initials, and so on). Other aspects of the new design are structural. The articles in the front of the magazine, which once flowed into one another, now stand on their own, to gain prominence. The Travel column, now featured in every issue, has been moved from the back to the front. As noted in this space last month, the word ”Monthly“ rejoins ”The Atlantic“ on the cove
篇4：英语专业八级模拟试题二在线练习1
英语专业八级模拟试题二在线练习1
PART II PROOFREADING & ERROR CORRECTION
The following passage contains TEN errors. Each indicated line contains a maximum of ONE error. In each case, only ONE word is involved. You should proof-read the passage and correct it in the following way:
For a wrong word, underline the wrong word and write the correct one in the blank provided at the end of the line.
For a missing word, mark the position of the missing word with a ”/“ sign and write the word you believe to be missing in the blank provided at the end of the line.
For an unnecessary word, cross the unnecessary word with a slash ”/“ and put the word in the blank provided at the end of the line.
Classic Intention Movement
In social situations, the classic Intention Movement is ”the chair-grasp“. Host and guest have been talking for some time, but now the host has an appointment to keep and can get away. His urge
(1)
to go is held in check by his desire not be rude to his guest. If he
(2)
did not care of his guests feelings he would simply get up out of
(3)
his chair and to announce his departure. This is what his body
(4)
wants to do, therefore his politeness glues his body to the chair
(5)
and refuses to let him raise. It is at this pint that he performs
(6)
the chair as about to push himself upwards. This is the first act
(7)
he would make if he were rising. If he were not hesitating, it
(8)
would only last a fraction of the second. He would learn, push,
(9)
rise, and be up. But now, instead, it lasts much longer. He
holds his ”readiness-to-rise“ post and keeps on holding it. It is as
(10)
if his body had frozen at the get-ready moment.
篇5：英语专业八级模拟试题二在线练习3
英语专业八级模拟试题二在线练习3
TEXT A
Such joy. It was the spring of 1985, and President Reagan had just given Mother Teresa the Medal of Freedom in a Rose Garden ceremony. As she left, she walked down the corridor between the Oval Office and the West Wing drive, and there she was, turning my way. What a sight: a saint in a sari coming down the White House hall. As she came nearer, I could not help it: I bowed. ”Mother“, I said, ”I just want to touch your hand.“ She looked up at me -- it may have been one of Gods subtle jokes that his exalted child spent her life looking up to everyone else -- and said only two words.
Later I would realize that they were the message of her mission. ”Luff Gott,“ she said. Love God. She pressed into my hand a poem she had written, as she glided away in a swoosh of habit. I took the poem from its frame the day she died. It is free verse, 79 lines, and is called ”Mothers Meditation (in the Hospital).“ In it she reflects on Christs question to his apostles: ”Who do you say I am?“ She notes that he was the boy born in Bethlehem,” put in the manager full of straw... kept warm by the breath of the donkey,“ who grew up to be ”an ordinary man without much learning.“ Donkeys are not noble; straw is common; and it was among the ordinary and ignoble, the poor and sick, that she chose to labor. Her mission was for them and among them, and you have to be a pretty tough character to organize a little universe that exists to help people other people arent interested in helping. Thats how she struck me when I met her as I watched her life. She was tough. There was the worn and weathered face, the abrupt and definite speech. We think saints are great organizers, great operators, great combatants in the world. Once I saw her in a breathtaking act of courage. She was speaker at the National Prayer Breakfast in Washington in 1995.
All the Washington Establishment was there, plus a few thousand born-again Christians, orthodox Catholics an
篇6：英语专业八级模拟试题一在线练习1
英语专业八级模拟试题一在线练习1
PART IV TRANSLATION
SECTION A CHINESE TO ENGLISH:
Translation the following underlined part of the text into English. Write your translation on ANSWER SHEET THREE.
来美国求学的中国学生与其他亚裔学生一样，大多非常刻苦勤奋，周末也往往会抽出一天甚至两天的'时间去实验室加班，因而比起美国学生来，成果出得较多。我的导师是亚裔人，嗜烟好酒，脾气暴躁。但他十分欣赏亚裔学生勤奋与扎实的基础知识，也特别了解亚裔学生的心理。
因此，在他实验室所招的学生中，除有一名来自德国外，其余五位均是亚裔学生。他干脆在实验室的门上贴一醒目招牌：“本室助研必须每周工作七天，早10时至晚12时，工作时间必须全力以赴。”这位导师的严格及苛刻是全校有名的，在我所呆的3年半中，共有14位学生被招进他的实验室，最后博士毕业的只剩下5人。1990年夏天，我不顾别人劝阻，硬着头皮接受了导师的资助，从此开始了艰难的求学旅程。
篇7：英语专业八级模拟试题一在线练习4
英语专业八级模拟试题一在线练习4
TEXT C Medical consumerism -- like all sorts of consumerism, only more menacingly -- is designed to be unsatisfying. The prolongation of life and the search for perfect health (beauty, youth, happiness) are inherently self-defeating. The law of diminishing returns necessarily applies. You can make higher percentages of people survive into their eighties and nineties. But as any geriatric ward shows, that is not the same as to confer enduring mobility, awareness and autonomy. Extending life grows medically feasible, but it is often a life deprived of everything, and one exposed to degrading neglect as resources grow over-stretched and politics turn mean.
What an ignominious destiny for medicine if its future turned into one of bestowing meagre increments of unenjoyed life! It would mirror the fate of athletics, in which disproportionate energies and resources -- not least medical ones, like illegal steroids -- are now invested to shave records by milliseconds And, it goes without saying, the logical extension of longevism -- the ”abolition“ of death -- would not be a solution but only an exacerbation. To air these predicaments is not anti-medical spleen -- a churlish reprisal against medicine for its victories -- but simply to face the growing reality of medical power not exactly without responsibility but with dissolving goals. Hence medicines finest hour becomes the dawn of its dilemmas.
For centuries, medicine was impotent and hence unproblematic. From the Greeks to the Great War, its job was simple: to struggle with lethal diseases and gross disabilities, to ensure live births, and to manage pain. It performed these uncontroversial tasks by and large with meagre success. Today, with mission accomplished, medicines triumphs are dissolving in disorientation. Medicine has led to vastly inflated expectations, which the public has eagerly swallowed. Yet as these expectations grow un-limited, they become unfulfillable. The task fa
篇8：英语专业八级模拟试题练习例题
In this section there are four reading passages followed by a total of fifteen multiple-choice questions. Read the passages carefully and then write your answers on the space given.
A magazines design is more than decoration, more than simple packaging. It expresses the magazines very character. The Atlantic Monthly has long attempted to provide a design environment in which two disparate traditions -- literary and journalistic -- can co-exist in pleasurable dignity. The redesign that we introduce with this issue -- the work of our art director, Judy Garlan -- represents, we think, a notable enhancement of that environment. Garlan explains some of what was in her mind as she began to create the new design:” I saw this as an opportunity to bring the look closer to matching the elegance and power of the writing which the magazine is known for. The overall design has to be able to encompass a great diversity of styles and subjects -- urgent pieces of reporting, serious essays, lighter pieces, lifestyle-oriented pieces, short stories, poetry. We dont want lighter pieces to seem too heavy, and we dont want heavier pieces to seem too pretty.
We also use a broad range of art and photography, and the design has to work well with that, too. At the same time, the magazine needs to have a consistent feel, needs to underscore the sense that everything in it is part of one Atlantic world. The primary typefaces Garlan chose for this task are Times Roman, for a more readable body type, and Bauer Bodoni, for a more stylish and flexible display type (article titles, large initials, and so on). Other aspects of the new design are structural. The articles in the front of the magazine, which once flowed into one another, now stand on their own, to gain prominence. The Travel column, now featured in every issue, has been moved from the back to the front. As noted in this space last month, the word “Monthly” rejoins “The Atlantic” on the cover, after a decade-long absence. Judy Garlan came to the Atlantic in 1981 after having served as the art director of several other magazines.
During her tenure here the Atlantic has won more than 300 awards for visual excellence. from the Society of illustrators, the American Institute of Graphic Arts, the Art Directors Club, Communication Arts, and elsewhere. Garlan was in various ways assisted in the redesign by the entire art-department staff: Robin Gilmore, Barnes, Betsy Urrico, Gillian Kahn, and Lisa Manning. The artist Nicholas Gaetano contributed as well: he redrew our colophon (the figure of Neptune that appears on the contents page) and created the symbols that will appear regularly on this page (a rendition of our building), on the Puzzler page, above the opening of letters, and on the masthead. Gaetano, whose work manages to combine stylish clarity and breezy strength, is the cover artist for this issue.
1. Part of the new design is to be concerned with the following EXCEPT ______
A) variation in the typefaces.
B) reorganization of articles in the front.
C) creation of the travel column.
D) reinstatement of its former name.
2. According to the passage, the new design work involves ______
A) other artists as well.
B) other writers as well.
C) only the cover artist.
D) only the art director.
3. This article aims to ______
A) emphasize the importance of a magazine’s design.
B) introduce the magazine’s art director.
C) persuade the reader to subscribe to the magazine.
D) inform the reader of its new design and features.
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